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dc.contributor.authorSwiatek, Lukasz
dc.date.accessioned2011-02-15
dc.date.available2011-02-15
dc.date.issued2010-01-01
dc.identifier.urihttp://hdl.handle.net/2123/7201
dc.description.abstractThe Nobel Peace Prize is more than a medal,diploma and monetary sum. This thesis investigates the nature and international impacts of this accolade. It traces the historical evolution of the media resources that underpin the Prize, and offers three ways of conceptualising it: as a meme, as a set of intangible and software assets, and as a tool of soft power. The study argues that these elements are all components of the award, and that they act as communicational tools that operate in various ways to disseminate specific messages to international publics. To substantiate these conceptualisations, selected media texts are analysed using a multi-method approach. The 2007 conferral of the Prize to the former U.S. Vice President Al Gore and the Intergovernmental Panel on Climate Change (represented by Rajendra Pachauri) serves as the case study. The thesis concludes suggesting that the Prize can have significant impacts on individuals around the world, in encouraging universal peacemaking.en
dc.language.isoen_AUen
dc.rightsOther
dc.titleLights, Camera, Accolade: Towards an Understanding of the Nature and Impacts of the Nobel Peace Prizeen
dc.typeThesisen
dc.identifier.doi2010
dc.type.thesisHonoursen
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
usyd.facultyFaculty of Arts and Social Sciences, School of Art, Communication and Englishen
usyd.departmentDepartment of Media and Communicationsen


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