The Jöttkandt Effect: Reading Nabokov Imaginatively
Field | Value | Language |
dc.contributor.author | Potter, David | |
dc.date.accessioned | 2024-11-11T02:03:00Z | |
dc.date.available | 2024-11-11T02:03:00Z | |
dc.date.issued | 2024 | en_AU |
dc.identifier.uri | https://hdl.handle.net/2123/33251 | |
dc.description.abstract | To mark the occasion of the first major book-length study on Nabokov by an Australian since Andrew Field's 'VN: The Life and Art of Vladimir Nabokov' (New York: Crown, 1986), I've written a longish review essay about Sigi Jöttkandt's 'The Nabokov Effect: Reading in the Endgame' (London: Open Humanities Press, 2024) for Affirmations: of the modern, the flagship journal of the Australasian Modernist Studies Network. The essay explores Jöttkandt's vibrant and imaginative approach to reading Nabokov, and contextualizes her book against the wider history of the field. | en_AU |
dc.language.iso | en | en_AU |
dc.publisher | Australasian Modernist Studies Network | en_AU |
dc.relation.ispartof | Affirmations: of the modern | en_AU |
dc.rights | Creative Commons Attribution 4.0 | en_AU |
dc.subject | Vladimir Nabokov | en_AU |
dc.subject | Sigi Jöttkandt | en_AU |
dc.subject | Film Theory | en_AU |
dc.subject | Film Studies | en_AU |
dc.title | The Jöttkandt Effect: Reading Nabokov Imaginatively | en_AU |
dc.type | Article | en_AU |
dc.identifier.doi | https://doi.org/10.31646/am.147 | |
dc.type.pubtype | Publisher's version | en_AU |
usyd.faculty | SeS faculties schools::Faculty of Arts and Social Sciences::School of Languages and Cultures | en_AU |
usyd.department | European Studies | en_AU |
usyd.citation.volume | 9 | en_AU |
usyd.citation.issue | 1 | en_AU |
usyd.citation.spage | 129 | en_AU |
usyd.citation.epage | 149 | en_AU |
workflow.metadata.only | No | en_AU |
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