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dc.contributor.authorHaines, Simon
dc.date.accessioned2006-08-18
dc.date.available2006-08-18
dc.date.issued2006-07-22
dc.identifier.urihttp://hdl.handle.net/2123/1081
dc.descriptionContains one audio recording (mp3)en
dc.description.abstractPhilosophical conceptions of time seem to fall into two groups, “flow” (river, arrow) and “block”: both of them spatialised. Kant was an important exception, and modern subjectivist thinking about time, or about the consciousness of time, seems to have taken its lead from him. But art (poetry, anyway: music and the plastic arts raise different time issues) seems always to have represented time as consciousness, or at least as an important element in it. Two groups again: “big-time”, apocalyptic poets like Dante and Virgil, and “small-time”, ordinary-life poets like Homer and Shakespeare. Modern (post-Kantian?) poetry wants to find big-time meanings in small-time lives. Maybe if we could blend philosophy’s block/flow conceptions and poetry’s big/small representations of time we might get a richer sense of the relation between time and consciousness.en
dc.description.sponsorshipCentre for Consciousness, Australian National Universityen
dc.format.extent36244954 bytes
dc.format.mimetypeaudio/mp3
dc.language.isoenen
dc.publisherCentre for Time, Department of Philosophy, University of Sydney.en
dc.relation.ispartofseriesTime and Consciousnessen
dc.rightsOther
dc.rights.urihttp://www.usyd.edu.au/disclaimer.shtmlen
dc.subjectTimeen
dc.subjectConsciousnessen
dc.titleArt, Time and Consciousnessen
dc.typeRecording, oralen
usyd.facultyFaculty of Arts and Social Sciences, Centre for Time


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