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dc.contributor.authorGreen, Jeremy
dc.date.accessioned2014-04-01
dc.date.available2014-04-01
dc.date.issued2013-01-01
dc.identifier.urihttp://hdl.handle.net/2123/10252
dc.description.abstractThis thesis examines the way that celebrated craftsmen from renaissance Florence were remembered selectively by fifteenth and sixteenth century chroniclers and biographers. With an emphasis on Filippo Brunelleschi, this study briefly explores Florence’s world of workshops, artisan contests, and patrons, before analysing comparative accounts of Brunelleschi’s social life and architectural accomplishments. The enquiry engages with historiographical scholarship concerning selfhood and individualism, and is developed through the related genres of biography, comedy, and apocryphal tale. It closes by arguing that when some men were praised others were excluded, and that fame and eminence were reinforced through humour and ridicule.en
dc.language.isoen_AUen
dc.rightsOtheren
dc.subjectRenaissanceen
dc.subjectFlorenceen
dc.subjectBrunelleschien
dc.subjectfameen
dc.subjectVasarien
dc.subjectItalyen
dc.titleCrafting Fame: Praise and Exclusion in Fifteenth Century Florenceen
dc.typeThesisen
dc.type.thesisHonoursen
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
usyd.facultyFaculty of Arts and Social Sciences, School of Humanities
usyd.departmentDepartment of Historyen


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