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dc.contributor.authorRalph, Ngaire
dc.date.accessioned2013-01-16
dc.date.available2013-01-16
dc.date.issued2012-01-01
dc.identifier.urihttp://hdl.handle.net/2123/8889
dc.description.abstractSweden’s global representation suggests that it is one of the most gender- equal, open and forward- thinking countries in the world. This thesis, however, exposes Sweden’s darker side, where hate crime towards immigrants, women and homosexuals is a serious social and political issue. Through a case study analysis of Stieg Larsson’s Millennium Trilogy and Swedish white power music, this thesis examines the role of popular culture in the dissemination of ideas, protest against cultural and political norms, and the way in which it exposes ideologies which threaten the Swedish global image. This thesis finds that popular culture is a valuable medium through which the ideology of hatred can be studied. It finds that Swedish artists and authors use popular culture to convey their concerns about society but that it is also used as a tool through which hate ideology can be disseminated throughout society too.en_AU
dc.language.isoen_AUen_AU
dc.rightsThe author retains copyright of this thesisen
dc.titleFact or Fiction? Hate Crime in Sweden and it's Representations in Swedish Popular Cultureen_AU
dc.typeThesis, Honoursen_AU
dc.contributor.departmentDepartment of Government and International Relationsen_AU


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