Fact or Fiction? Hate Crime in Sweden and it's Representations in Swedish Popular Culture
| Field | Value | Language |
| dc.contributor.author | Ralph, Ngaire | |
| dc.date.accessioned | 2013-01-16 | |
| dc.date.available | 2013-01-16 | |
| dc.date.issued | 2012-01-01 | |
| dc.identifier.uri | http://hdl.handle.net/2123/8889 | |
| dc.description.abstract | Sweden’s global representation suggests that it is one of the most gender- equal, open and forward- thinking countries in the world. This thesis, however, exposes Sweden’s darker side, where hate crime towards immigrants, women and homosexuals is a serious social and political issue. Through a case study analysis of Stieg Larsson’s Millennium Trilogy and Swedish white power music, this thesis examines the role of popular culture in the dissemination of ideas, protest against cultural and political norms, and the way in which it exposes ideologies which threaten the Swedish global image. This thesis finds that popular culture is a valuable medium through which the ideology of hatred can be studied. It finds that Swedish artists and authors use popular culture to convey their concerns about society but that it is also used as a tool through which hate ideology can be disseminated throughout society too. | en |
| dc.language.iso | en_AU | en |
| dc.rights | Other | en |
| dc.title | Fact or Fiction? Hate Crime in Sweden and it's Representations in Swedish Popular Culture | en |
| dc.type | Thesis | en |
| dc.type.thesis | Honours | en |
| dc.rights.other | The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission. | en |
| usyd.faculty | Faculty of Arts and Social Sciences, School of Social and Political Sciences | |
| usyd.department | Department of Government and International Relations | en |
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