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dc.contributor.authorMorelos, Ronaldo
dc.date2006-01-01
dc.date.accessioned2008-06-20
dc.date.available2008-06-20
dc.date.issued2008-06-20
dc.identifier.issn978-1-74210-012-8
dc.identifier.urihttp://hdl.handle.net/2123/2525
dc.description.abstractIn the pieces to camera that George W. Bush has delivered since 9/11, the ideals of “victory” and “freedom” have driven the arguments for initiating, prolonging and sustaining belligerent action—bello jus—against a number of different targets. The arguments by which the “different kind of war” is conceptualised and justified have their basis upon the acts that are considered to have provoked the need for war, namely the acts of 9/11. This paper examines ways in which the performance of “presidency”—particularly as the “war president”—has generated and maintained the performative conditions of armed conflict, as well as ways in which those performative conditions have been interrupted and eroded over time.en
dc.description.sponsorshipThe conference was sponsored by A.D.S.A., the Department of Performance Studies, the School of Letters, Arts and Media, and the Faculty of Arts of the University of Sydney.en
dc.language.isoenen
dc.publisherAustralasian Association for Drama, Theatre and Performance Studiesen
dc.rightsCopyright Australasian Association for Drama, Theatre and Performance Studiesen
dc.subjectU.S. presidencyen
dc.subject'the happy performative'en
dc.subjectGeorge W. Bushen
dc.subjectwar on terroren
dc.subject9/11en
dc.subjectperformativityen
dc.titlePerforming Victory: The Different Kind of War of Bush 43en
dc.typeConference paperen


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