Performing Victory: The Different Kind of War of Bush 43
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Open Access
Type
Conference paperAuthor/s
Morelos, RonaldoAbstract
In the pieces to camera that George W. Bush has delivered since 9/11, the ideals of “victory” and “freedom” have driven the arguments for initiating, prolonging and sustaining belligerent action—bello jus—against a number of different targets. The arguments by which the “different ...
See moreIn the pieces to camera that George W. Bush has delivered since 9/11, the ideals of “victory” and “freedom” have driven the arguments for initiating, prolonging and sustaining belligerent action—bello jus—against a number of different targets. The arguments by which the “different kind of war” is conceptualised and justified have their basis upon the acts that are considered to have provoked the need for war, namely the acts of 9/11. This paper examines ways in which the performance of “presidency”—particularly as the “war president”—has generated and maintained the performative conditions of armed conflict, as well as ways in which those performative conditions have been interrupted and eroded over time.
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See moreIn the pieces to camera that George W. Bush has delivered since 9/11, the ideals of “victory” and “freedom” have driven the arguments for initiating, prolonging and sustaining belligerent action—bello jus—against a number of different targets. The arguments by which the “different kind of war” is conceptualised and justified have their basis upon the acts that are considered to have provoked the need for war, namely the acts of 9/11. This paper examines ways in which the performance of “presidency”—particularly as the “war president”—has generated and maintained the performative conditions of armed conflict, as well as ways in which those performative conditions have been interrupted and eroded over time.
See less
Date
2008-06-20Publisher
Australasian Association for Drama, Theatre and Performance StudiesLicence
Copyright Australasian Association for Drama, Theatre and Performance StudiesShare