“HAIR IS IT, FOR AFRICANS:” African-Australian Hair Stories
Access status:
Open Access
Type
ThesisThesis type
HonoursAuthor/s
Konneh, Ameisa MeimaAbstract
This thesis examines the relationship African-Australian men and women have with their hair. Through open-ended interviews with seven African-Australian men and women, aged 22-63, this thesis analyses the cultural significance of hair and its methods of stylization in the ...
See moreThis thesis examines the relationship African-Australian men and women have with their hair. Through open-ended interviews with seven African-Australian men and women, aged 22-63, this thesis analyses the cultural significance of hair and its methods of stylization in the African-Australian diaspora. Building upon empiricism and scholarship from the United States and Britain, this thesis broadens the debate by including the voices of African-Australians. It explores the highly ritualized modes of black hairstyling practices in Australia as intra-racially disciplined, managed and contained. I examine Afro-diasporic hair practices of weaving, braiding, and going ‘natural,’ through established frameworks that psychologise and depsychologise black hair practices. This thesis problematises academic and socio-cultural arguments that situate Afro-diasporic women who choose to process their hair as engaged in ‘inauthentic’ practices engendered by self-hatred, low self-esteem, and the desire to be white. I explore the gendered nature of Afro-diasporic hairstyling, and the significant burden of representation placed upon African-Australian girls and women to perform culture on behalf of the African-Australian diaspora. Finally, this thesis examines the industrial and personal economy of black hair as imbricated with the explicit and implicit labour of African-Australian identity.
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See moreThis thesis examines the relationship African-Australian men and women have with their hair. Through open-ended interviews with seven African-Australian men and women, aged 22-63, this thesis analyses the cultural significance of hair and its methods of stylization in the African-Australian diaspora. Building upon empiricism and scholarship from the United States and Britain, this thesis broadens the debate by including the voices of African-Australians. It explores the highly ritualized modes of black hairstyling practices in Australia as intra-racially disciplined, managed and contained. I examine Afro-diasporic hair practices of weaving, braiding, and going ‘natural,’ through established frameworks that psychologise and depsychologise black hair practices. This thesis problematises academic and socio-cultural arguments that situate Afro-diasporic women who choose to process their hair as engaged in ‘inauthentic’ practices engendered by self-hatred, low self-esteem, and the desire to be white. I explore the gendered nature of Afro-diasporic hairstyling, and the significant burden of representation placed upon African-Australian girls and women to perform culture on behalf of the African-Australian diaspora. Finally, this thesis examines the industrial and personal economy of black hair as imbricated with the explicit and implicit labour of African-Australian identity.
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Date
2013-01-01Licence
OtherRights statement
The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.Faculty/School
Faculty of Arts and Social Sciences, School of HumanitiesDepartment, Discipline or Centre
Department of Gender and Cultural StudiesShare