Shivering domains: technologically mediated embodiment and ecologies.

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Open Access

Field	Value	Language
dc.contributor.author	Adams, Patricia	en
dc.date.accessioned	2013-11-22
dc.date.available	2013-11-22
dc.date.issued	2013-01-01	en
dc.identifier.citation	Cleland, K., Fisher, L. & Harley, R. (2013) Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney.	en
dc.identifier.uri	http://hdl.handle.net/2123/9646
dc.description.abstract	This article examines contemporary developments in the biomedical and ecological sciences and their impact on hybrid art practices in relation to the 'shivering domains' of cross disciplinary discourses and biotechnological research. Examples from the author's projects: Temporal Interval, machina carnis and Urban Swarming are introduced to illustrate the points discussed. Evolving media technologies and historical perspectives are re-viewed and located within the framework of an exploration into the permeable membranes of cellular consciousness and the biomedical sciences; which also considers the nature of constructs of corporeality and the 'self' in a socio-cultural context.	en
dc.publisher	ISEA International	en
dc.publisher	Australian Network for Art & Technology	en
dc.publisher	University of Sydney	en
dc.subject	Embodiment	en
dc.subject	Biotechnology	en
dc.subject	Ecology	en
dc.subject	Non-Human Others	en
dc.subject	Life Sciences	en
dc.subject	Corporeality	en
dc.subject	Interaction	en
dc.title	Shivering domains: technologically mediated embodiment and ecologies.	en
dc.type	Conference paper	en
usyd.faculty	University hosted conferences