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dc.contributor.authorMoore, Kate Elisabeth
dc.date.accessioned2013-06-29
dc.date.available2013-06-29
dc.date.issued2012-06-01
dc.identifier.urihttp://hdl.handle.net/2123/9235
dc.description.abstractThe collection of six compositions and essays outlines questions, themes and ideas pertinent to the composer’s personal musical development and artistic journey and allows the composer to define and consolidate an original language and identity that illustrates a quest to honestly account for one’s actions and decisions. The title of the thesis outlines the preoccupation to define the root from where a musical identity stems. By considering the definition of ‘music’, its fundamental building blocks and the history of its development from an ancient past, a path is forged upon which the composer’s own heritage, place of origin and wellspring of inspiration is revealed. Each composition explores elements of the composer’s language through direction, definition, measure, perception, origin and manifestation as well as significant key characteristics of a personal identity: trajectory, name, evolution, location and destination, all of which culminate to form a thumbprint that can be held by none other than the composer.en
dc.rightsThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
dc.subjectetymology of musicen
dc.subjectidentity in musicen
dc.subjectorigin and inspiration in a compositionen
dc.subjectfundamental building blocks of musicen
dc.subjectcontext and heritage of musicen
dc.subjectallegoryen
dc.titleThe point of origin - six essays on six piecesen
dc.typeThesisen
dc.date.valid2013-01-01en
dc.type.thesisDoctor of Philosophyen
usyd.facultySydney Conservatorium of Musicen
usyd.departmentCompositionen
usyd.degreeDoctor of Philosophy Ph.D.en
usyd.awardinginstThe University of Sydneyen


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