Hamlet, first Quarto
Field | Value | Language |
dc.contributor.author | Fitzpatrick, Tim | en_AU |
dc.date.accessioned | 2011-10-20 | |
dc.date.available | 2011-10-20 | |
dc.date.issued | 2011-01-01 | en_AU |
dc.identifier.citation | Playwright, Space and Place in Early Modern Performance: Shakespeare and Company | en_AU |
dc.identifier.uri | http://hdl.handle.net/2123/7805 | |
dc.description | This analysis from 1998 is of the 'bad' first Quarto text. Spatial logic not as clear as in Q2 at some points. | en_AU |
dc.publisher | Ashgate Publishing | en_AU |
dc.rights | The author retains copyright of this work. | en_AU |
dc.source | William Shakespeare, Hamlet, first Quarto text, 1603 | en_AU |
dc.subject | Hamlet Q1 | en_AU |
dc.subject | Early modern theatre | en_AU |
dc.subject | Early modern drama | en_AU |
dc.subject | Elizabethan theatre | en_AU |
dc.subject | Elizabethan drama | en_AU |
dc.subject | English drama | en_AU |
dc.subject | Place in literature | en_AU |
dc.subject | Space in literature | en_AU |
dc.subject | Shakespeare | en_AU |
dc.subject | Jacobean drama | en_AU |
dc.subject | Early modern staging | en_AU |
dc.subject | Elizabethan staging | en_AU |
dc.subject | Jacobean staging | en_AU |
dc.subject | Staging Shakespeare | en_AU |
dc.subject | Original staging | en_AU |
dc.subject | London playhouses | en_AU |
dc.subject | London theatres | en_AU |
dc.subject | London theaters | en_AU |
dc.subject | Globe playhouse | en_AU |
dc.subject | Globe theatre | en_AU |
dc.subject | Globe theater | en_AU |
dc.subject | Stage doors | en_AU |
dc.subject | Entrances | en_AU |
dc.subject | Exits | en_AU |
dc.subject | Entrance patterns | en_AU |
dc.subject | Exit patterns | en_AU |
dc.subject | Congestions | en_AU |
dc.subject | Alternations | en_AU |
dc.subject | William Shakespeare, Hamlet, first Quarto text, 1603 | en_AU |
dc.title | Hamlet, first Quarto | en_AU |
dc.type | Other | en_AU |
dc.contributor.department | Department of Performance Studies | en_AU |
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