Technē without Archē: Foucault’s Last Decade
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Open Access
Type
ThesisThesis type
HonoursAuthor/s
Yin, ChenglongAbstract
In this paper I use the concept of technē to argue that Foucault’s last decade is a unified program of research, offering a new interpretation of freedom in his later work. Whereas much of the existing scholarship treats Foucault’s political philosophy as distinct from his late ...
See moreIn this paper I use the concept of technē to argue that Foucault’s last decade is a unified program of research, offering a new interpretation of freedom in his later work. Whereas much of the existing scholarship treats Foucault’s political philosophy as distinct from his late ethical explorations of Ancient Greek philosophy, I argued that his critiques of modern political institutions and his studies of ancient ethical ‘technologies of the self’ represent a continuous interrogation of, and response to, the Platonic conception of political governance as both soulcraft (technē) and a form of ruling (archē). In contrast to interpretations that dismiss Foucault's late conception of freedom as mere lifestyle choices, I argue that it is best understood as a ‘technē without archē’—a critical practice of shaping one’s subjectivity that resists being constrained by the existing political reality.
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See moreIn this paper I use the concept of technē to argue that Foucault’s last decade is a unified program of research, offering a new interpretation of freedom in his later work. Whereas much of the existing scholarship treats Foucault’s political philosophy as distinct from his late ethical explorations of Ancient Greek philosophy, I argued that his critiques of modern political institutions and his studies of ancient ethical ‘technologies of the self’ represent a continuous interrogation of, and response to, the Platonic conception of political governance as both soulcraft (technē) and a form of ruling (archē). In contrast to interpretations that dismiss Foucault's late conception of freedom as mere lifestyle choices, I argue that it is best understood as a ‘technē without archē’—a critical practice of shaping one’s subjectivity that resists being constrained by the existing political reality.
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Date
2025-03-18Licence
OtherRights statement
The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.Faculty/School
Faculty of Arts and Social Sciences, School of HumanitiesDepartment, Discipline or Centre
Department of PhilosophyShare