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dc.contributor.authorSu, Chunmeizi
dc.date.accessioned2022-04-28T00:08:00Z
dc.date.available2022-04-28T00:08:00Z
dc.date.issued2022en
dc.identifier.urihttps://hdl.handle.net/2123/28230
dc.description.abstractPlatformization theory proposes that cultural productions are contingent on platforms. This study argues that in the Chinese context; however, online productions are contingent not only on platforms, but on government policies. Under the influence of state, market, and platform policy, major streaming services in China are becoming an online “state TV.” The limitations placed on grassroots content has forced creators to thrive elsewhere, contributing to the proliferation of short video platforms such as TikTok. This study investigates the contingency and precarity of the online sector to map the migration of content creators from conventional streaming services to the emerging creative forms of short videos and livestreaming.en
dc.language.isoenen
dc.publisherSAGEen
dc.relation.ispartofTelevision and New Mediaen
dc.rightsOther
dc.titleContingency, Precarity and Short-Video Creativity: Platformization Based Analysis of Chinese Online Screen Industryen
dc.typeArticleen
dc.subject.asrc2001 Communication and Media Studiesen
dc.identifier.doi10.1177/15274764221087994en
dc.type.pubtypePublisher's versionen
usyd.facultySeS faculties schools::Faculty of Arts and Social Sciencesen
usyd.departmentDepartment of Media and Communicationen
workflow.metadata.onlyYesen


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