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dc.contributor.authorSu, Chunmeizi
dc.date.accessioned2022-04-28T00:08:00Z
dc.date.available2022-04-28T00:08:00Z
dc.date.issued2022en_AU
dc.identifier.urihttps://hdl.handle.net/2123/28230
dc.description.abstractPlatformization theory proposes that cultural productions are contingent on platforms. This study argues that in the Chinese context; however, online productions are contingent not only on platforms, but on government policies. Under the influence of state, market, and platform policy, major streaming services in China are becoming an online “state TV.” The limitations placed on grassroots content has forced creators to thrive elsewhere, contributing to the proliferation of short video platforms such as TikTok. This study investigates the contingency and precarity of the online sector to map the migration of content creators from conventional streaming services to the emerging creative forms of short videos and livestreaming.en_AU
dc.language.isoenen_AU
dc.publisherSAGEen_AU
dc.relation.ispartofTelevision and New Mediaen_AU
dc.titleContingency, Precarity and Short-Video Creativity: Platformization Based Analysis of Chinese Online Screen Industryen_AU
dc.typeArticleen_AU
dc.subject.asrc2001 Communication and Media Studiesen_AU
dc.identifier.doihttps://doi.org/10.1177/15274764221087994
dc.type.pubtypePublisher's versionen_AU
usyd.facultySeS faculties schools::Faculty of Arts and Social Sciencesen_AU
usyd.departmentDepartment of Media and Communicationen_AU
workflow.metadata.onlyYesen_AU


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