Live Media and the 'Alive' Actor

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Open Access

Field	Value	Language
dc.contributor.author	Fewster, Russell David
dc.date	2006-01-01
dc.date.accessioned	2008-06-27
dc.date.available	2008-06-27
dc.date.issued	2008-06-27
dc.identifier.issn	978-1-74210-012-8
dc.identifier.uri	http://hdl.handle.net/2123/2549
dc.description.abstract	This paper considers the presence of the actor in relation to mediatisation of the theatre space. In particular the kinetic relationship of the performer to real time and simulated real time video projection. This will be based on my recent production of 'The Lost Babylon' by Takeshi Kawamura at the 2006 Adelaide Fringe Festival—an Australian-Japanese co-production combining various acting styles with video projection.	en
dc.description.sponsorship	The conference was sponsored by A.D.S.A., the Department of Performance Studies, the School of Letters, Arts and Media, and the Faculty of Arts of the University of Sydney.	en
dc.language.iso	en	en
dc.publisher	Australasian Association for Drama, Theatre and Performance Studies	en
dc.rights	Copyright Australasian Association for Drama, Theatre and Performance Studies	en
dc.subject	performance research	en
dc.subject	contemporary Japanese theatre	en
dc.subject	multi-media performance	en
dc.subject	embodiment	en
dc.subject	Le Coq movement studies	en
dc.subject	mediatisation	en
dc.subject	acting and technology	en
dc.subject	performance documentation	en
dc.title	Live Media and the 'Alive' Actor	en
dc.type	Conference paper	en