Necklace Theory

Access status:

Open Access

Field	Value	Language
dc.contributor.author	Durban, Kim
dc.date	2006-01-01
dc.date.accessioned	2008-06-16
dc.date.available	2008-06-16
dc.date.issued	2008-06-16
dc.identifier.issn	978-1-74210-012-8
dc.identifier.uri	http://hdl.handle.net/2123/2488
dc.description.abstract	In this paper I will describe the stages involved in preparing the performance season of my major project for my Master of Dramatic Art (Direction). The key issues I raise are: the set-up of the research environment; issues of interpretation; te process of creating research; the 'necklace theory; supervisionl and what actually happened.	en
dc.description.sponsorship	The conference was sponsored by A.D.S.A., the Department of Performance Studies, the School of Letters, Arts and Media, and the Faculty of Arts of the University of Sydney.	en
dc.language.iso	en	en
dc.rights	Other	en
dc.subject	Performance Research	en
dc.subject	rehearsal process	en
dc.subject	Elizabethan drama	en
dc.title	Necklace Theory	en
dc.type	Conference paper	en
dc.rights.other	Copyright Australasian Association for Drama, Theatre and Performance Studies	en
usyd.faculty	University hosted conferences