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Necklace Theory

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dc.contributor.authorDurban, Kim
dc.date2006-01-01
dc.date.accessioned2008-06-16
dc.date.available2008-06-16
dc.date.issued2008-06-16
dc.identifier.issn978-1-74210-012-8
dc.identifier.urihttp://hdl.handle.net/2123/2488
dc.description.abstractIn this paper I will describe the stages involved in preparing the performance season of my major project for my Master of Dramatic Art (Direction). The key issues I raise are: the set-up of the research environment; issues of interpretation; te process of creating research; the 'necklace theory; supervisionl and what actually happened.en
dc.description.sponsorshipThe conference was sponsored by A.D.S.A., the Department of Performance Studies, the School of Letters, Arts and Media, and the Faculty of Arts of the University of Sydney.en
dc.language.isoenen
dc.rightsCopyright Australasian Association for Drama, Theatre and Performance Studiesen
dc.subjectPerformance Researchen
dc.subjectrehearsal processen
dc.subjectElizabethan dramaen
dc.titleNecklace Theoryen
dc.typeConference paperen


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