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  • Being There: After-Proceedings of the 2006 Conference of the Australasian Association for Drama, Theatre and Performance Studies
  • Recent submissions
  • SeS Home
  • The University of Sydney
  • University hosted conferences
  • Being There: After-Proceedings of the 2006 Conference of the Australasian Association for Drama, Theatre and Performance Studies
  • Recent submissions
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Being There: After-Proceedings of the 2006 Conference of the Australasian Association for Drama, Theatre and Performance Studies: Recent submissions

    • The Theatre of the Athletic Nude: The teaching and study of anatomy at the École des Beaux-Arts, Paris, 1873-1940 

      Marshall, Jonathan
      Published 2008-06-17
      Physicians Paul Richer, Henry Meige and Mathias Duval were colleagues of French neurologist, J.-M. Charcot. In 1873-1940 they consolidated within their teaching at the École des Beaux-Arts a model of aesthetics based on a ...
      Open Access
      Conference paper
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    • Stanislavski’s Rehearsal Processes Re-Viewed 

      Martin, Jacqueline
      Published 2008-06-17
      A Stanislavski Symposium was held in Stockholm in 1986, where some of the last surviving actors and directors who had been trained by Stanislavski himself discussed and worked ‘on the floor’ with over 300 Swedish actors ...
      Open Access
      Conference paper
      View
    • Coaches as Phenomenologists: Para-Ethnographic Work in Sport 

      Downey, Greg
      Published 2008-06-17
      If performance studies is to explore sports from the perspective of athletes, coaches form a potential pool of allies as they are engaged in their own ‘para-ethnographic’ studies of athletes’ performance. This paper examines ...
      Open Access
      Conference paper
      View
    • Evolution, Mutation and Hybridity in Bio-Performance Practice: Wet Biology and Hybrid Arts in the Performance/Installation 'BioHome—The Chromosome Knitting Project' 

      Fargher, Catherine
      Published 2008-06-17
      In this paper I explore the influence of ‘Wet Biology’ practices on the development of my durational performance work 'BioHome: the Chromosome Knitting Project' at research, rehearsal, performance and documentation stages. ...
      Open Access
      Conference paper
      View
    • Repositioning the Interface for Cross-Cultural Reception of Indigenous Australian Theatre 

      Casey, Maryrose
      Published 2008-06-17
      Representations and practices of identity on the street and on the stage are always marked and read on many levels within the tension between self claimed concepts and understandings of identity and imposed external concepts ...
      Open Access
      Conference paper
      View
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