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dc.contributor.authorCortez, Karen
dc.date.accessioned2021-02-12T01:55:37Z
dc.date.available2021-02-12T01:55:37Z
dc.date.issued2021-02-12
dc.identifier.urihttps://hdl.handle.net/2123/24519
dc.description.abstractThis study aimed to investigate the collaborative possibilities of a modified single visit format to support the musical self-efficacy of teachers. A “truncated” action research model (Cain, 2008) was used to demonstrate at a methodological level the importance of teacher involvement in this process. The ensemble Quart-Ed worked with four teachers from Banana School over the course of two collaborative meetings in preparation for delivering a program for their classes. Using interviews, fieldnotes, video recordings, and formal and informal reflection from all participants at every stage of the process, numerous strategies for positive teacher-artist collaboration were identified that increased musical self-efficacy or fostered a sense of ownership of the program. Some attempted strategies were less successful and modified versions are suggested for future cycles of action research. The results of this study suggest that the modified single-visit format has strong potential to positively impact teacher musical self-efficacy and is a possible solution for artists wishing to encourage the musical capabilities of the teacher with whom they interact.en
dc.language.isoenen
dc.rightsOtheren
dc.subjectprimary music educationen
dc.subjectcollaborationen
dc.subjectvisiting artisten
dc.subjectself-efficacyen
dc.subjectlow confidenceen
dc.subjectaction research
dc.titleRaising the musical self-efficacy of classroom teachers: best practice collaborative strategies for visiting artistsen
dc.typeThesisen
dc.type.thesisHonoursen
usyd.facultySeS faculties schools::Sydney Conservatorium of Musicen
workflow.metadata.onlyNoen


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