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dc.contributor.authorFryer, Daniel Lees
dc.date.accessioned2020-10-27
dc.date.available2020-10-27
dc.date.issued2020-01-01en_AU
dc.identifier.urihttps://hdl.handle.net/2123/23691
dc.description.abstractOpening shot: interior, henhouse, low light, hens, two rows of perches and nest boxes. Voiceover, subtitle: ‘That’s why we play music’. Close-up of human hand flicking switch and turning dial on old radio. Cue music: Edvard Grieg’s ‘Morning Mood’. Close-up of hens. Wider frame, man walks slowly between perches and nest boxes. Voiceover, subtitle: ‘They become calm. They enjoy themselves.’ Close-up of single hen shaking feathers. Low-angle shot, hens, man by open door, daylight. Man speaks, subtitle: ‘Ba-pa-pa-pa!’ Fade to black. Caption, white on black, top of frame: ‘GOOD TASTE WITH A CLEAR CONSCIENCE.’ [Producer name], white on black, middle. Green logo, ‘organic’, lower right. Ends.en_AU
dc.language.isoenen_AU
dc.publisherSydney University Pressen_AU
dc.relation.ispartofMeatsplaining: The Animal Agriculture Industry and the Rhetoric of Denialen_AU
dc.rightsCopyright All Rights Reserveden_AU
dc.subjectethical consumerismen_AU
dc.subjecteggsen_AU
dc.subjectdairy industryen_AU
dc.subjectanimal agricultureen_AU
dc.titleGrieg in the henhouse: 12 seconds at the contested intersections of human and nonhuman animal interestsen_AU
dc.typeBook chapteren_AU
usyd.facultySydney University Pressen_AU
usyd.citation.spage59en_AU
usyd.citation.epage77en_AU
workflow.metadata.onlyNoen_AU


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