Grieg in the henhouse: 12 seconds at the contested intersections of human and nonhuman animal interests
Field | Value | Language |
dc.contributor.author | Fryer, Daniel Lees | |
dc.date.accessioned | 2020-10-27 | |
dc.date.available | 2020-10-27 | |
dc.date.issued | 2020-01-01 | en_AU |
dc.identifier.uri | https://hdl.handle.net/2123/23691 | |
dc.description.abstract | Opening shot: interior, henhouse, low light, hens, two rows of perches and nest boxes. Voiceover, subtitle: ‘That’s why we play music’. Close-up of human hand flicking switch and turning dial on old radio. Cue music: Edvard Grieg’s ‘Morning Mood’. Close-up of hens. Wider frame, man walks slowly between perches and nest boxes. Voiceover, subtitle: ‘They become calm. They enjoy themselves.’ Close-up of single hen shaking feathers. Low-angle shot, hens, man by open door, daylight. Man speaks, subtitle: ‘Ba-pa-pa-pa!’ Fade to black. Caption, white on black, top of frame: ‘GOOD TASTE WITH A CLEAR CONSCIENCE.’ [Producer name], white on black, middle. Green logo, ‘organic’, lower right. Ends. | en_AU |
dc.language.iso | en | en_AU |
dc.publisher | Sydney University Press | en_AU |
dc.relation.ispartof | Meatsplaining: The Animal Agriculture Industry and the Rhetoric of Denial | en_AU |
dc.rights | Copyright All Rights Reserved | en_AU |
dc.subject | ethical consumerism | en_AU |
dc.subject | eggs | en_AU |
dc.subject | dairy industry | en_AU |
dc.subject | animal agriculture | en_AU |
dc.title | Grieg in the henhouse: 12 seconds at the contested intersections of human and nonhuman animal interests | en_AU |
dc.type | Book chapter | en_AU |
usyd.faculty | Sydney University Press | en_AU |
usyd.citation.spage | 59 | en_AU |
usyd.citation.epage | 77 | en_AU |
workflow.metadata.only | No | en_AU |
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