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dc.contributor.authorLowing, Roberta
dc.date.accessioned2016-11-28
dc.date.available2016-11-28
dc.date.issued2015-08-30
dc.identifier.urihttp://hdl.handle.net/2123/15960
dc.description.abstractDuring the past three years, I have researched the validity of the Bechdel Test, a test widely used to winkle out stereotypes depicting women in film. The Bechdel Test began its life as a comic strip, but despite its wide acceptance, has never been subjected to rigorous testing. Drawing on my experience of 25 years of professional film reviewing, I examined the history of the Test, questioned its validity, and chose 200 of the most popular, English-language feature films released recently in Australia. I evolved 30 components of what would constitute a stereotypical view of women in film, and applied these components to my 200 chosen films. This paper describes how I went about it, and my results. I then applied my new test to my own creative work, including the novel The River which is the creative component of my candidature. The result is a new expanded Bechdel Test which many may find useful.en_AU
dc.rightsThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
dc.subjectstereotypesen_AU
dc.subjectfeminismen_AU
dc.subjectBechdel Testen_AU
dc.subjectmoviesen_AU
dc.subjectfriendshipen_AU
dc.subjectcreative writingen_AU
dc.titleMe, Myself and I: The Bechdel Test, Female Representation and the Creative Processen_AU
dc.typeThesisen_AU
dc.date.valid2016-01-01en_AU
dc.type.thesisDoctor of Philosophyen_AU
usyd.facultyFaculty of Arts and Social Sciences, School of Literature, Art and Mediaen_AU
usyd.departmentDepartment of Englishen_AU
usyd.degreeDoctor of Arts D.Artsen_AU
usyd.awardinginstThe University of Sydneyen_AU


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