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dc.contributor.authorWalkerden, Nicola Catherine
dc.date.accessioned2016-08-17
dc.date.available2016-08-17
dc.date.issued2015-11-06
dc.identifier.urihttp://hdl.handle.net/2123/15521
dc.description.abstractThis practice driven research paper is an experimental exploration of the embodied cinematic situation in contemporary art. An assemblage of moments, it investigates how moving and mental images travel between the body and situation as an experience of time in contemporary arts practices. Written in the format of a screenplay, it is constructed as a montage loop of information discussing how the body and film measures and records time as experience in encountering performance, film and situations in expanded cinema. Encompassing topics such as the senses, neurofilmology, material engagement, philosophy, chronoception, situated conceptualisation, caves, and the double slit experiment in quantum mechanics, research draws on examples of creative works from contemporary art exhibitions, theatre and film. Discussion refers to production processes of 16mm film, method acting in performance, the genre of meta-films, the construction of situations and how the percept screen of the body auditions representations of experience.en_AU
dc.rightsThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
dc.subjectcinemaen_AU
dc.subjectperformanceen_AU
dc.subject16mm filmen_AU
dc.subjecttimeen_AU
dc.subjectcorporealityen_AU
dc.subjectexperimental filmen_AU
dc.titleA Conflicted Corporeality of Cinemaen_AU
dc.typeThesisen_AU
dc.date.valid2016-01-01en_AU
dc.type.thesisMasters by Researchen_AU
usyd.facultySydney College of the Artsen_AU
usyd.degreeMaster of Fine Arts M.F.A.en_AU
usyd.awardinginstThe University of Sydneyen_AU


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