Show simple item record

FieldValueLanguage
dc.contributor.authorCultan, Paul
dc.date.accessioned2013-12-17
dc.date.available2013-12-17
dc.date.issued2012-01-01
dc.identifier.urihttp://hdl.handle.net/2123/9825
dc.description.abstractThe aim of this research project has been to write a portfolio of compositions which integrate improvisation with through-composed contemporary classical techniques. The intended result is that the improvised elements aid the development and outcome of the musical argument and help contribute to the architectural structure of each piece in performance. The stylistic elements and structure of the compositions should embrace the aesthetics of improvisation in a way that promotes both coherence and flexibility. Although the written score is an important document of the composer’s intentions, equal importance is placed on the process of creative realisation. It is in performance that the benefits of improvisation can be evaluated in each piece. These will include elements of spontaneity, a heightened sense of engagement of both performers and audience, and unpredictable outcomes. Above all, the integration of improvisation into the compositions will lead to each perform ance being a unique experience.en
dc.rightsThe author retains copyright of this thesis
dc.subjectImprovisation through-composed analysisen
dc.subjectclassical jazzen
dc.titleDifferent Every Time: The Integration of Improvisation into Through-Composed Musicen
dc.typeThesisen
dc.date.valid2013-01-01en
dc.type.thesisMasters by Researchen
usyd.facultySydney Conservatorium of Musicen
usyd.degreeMaster of Music (Composition) M.Mus.(Composition)en
usyd.awardinginstThe University of Sydneyen


Show simple item record

Associated file/s

Associated collections

Show simple item record

There are no previous versions of the item available.