Arriving, digging, performing, returning: an exercise in rich interpretation of a djanba song text in the sound archive of the Wadeye Knowledge Centre, Northern Territory of Australia
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Open Access
Type
Book chapterAbstract
This article covers issues around song language interpretation and documentation in relation to a djanba song in Murriny Patha language composed by Lawrence Kolumboort (djanba 11).This article covers issues around song language interpretation and documentation in relation to a djanba song in Murriny Patha language composed by Lawrence Kolumboort (djanba 11).
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Date
2007-01-01Publisher
University of AucklandLicence
This material is copyright. Other than for the purposes of and subject to the conditions prescribed under the Copyright Act, no part of it may in any form or by any means (electronic, mechanical, microcopying, photocopying, recording or otherwise) be altered, reproduced, stored in a retrieval system or transmitted without prior written permission from the University of Sydney Library and/or the appropriate author.Department, Discipline or Centre
PARADISEC, SLAM, Faculty of Arts and Social SciencesDepartment of Linguistics
Citation
Barwick, L., Marett, A., Blythe, J., & Walsh, M. (2007). Arriving, digging, performing, returning: an exercise in rich interpretation of a djanba song text in the sound archive of the Wadeye Knowledge Centre, Northern Territory of Australia. In R. M. Moyle (Ed.), Oceanic Music Encounters: The Print Resource and the Human Resource. Essays in Honour of Mervyn McLean (pp. 13–24). Auckland: University of Auckland.Share