Barwick, L. (1994). The Filipino komedya and the Italian maggio: cross-cultural perspectives on related genres of popular music theatre
| Field | Value | Language |
| dc.contributor.author | Barwick, Linda | |
| dc.date.accessioned | 2013-02-12 | |
| dc.date.available | 2013-02-12 | |
| dc.date.issued | 1994-01-01 | |
| dc.identifier.citation | Barwick, L. (1994). The Filipino komedya and the Italian maggio: cross-cultural perspectives on related genres of popular music theatre. In A. M. Gibbs (Ed.), Masks of time: drama and its contexts (pp. 71-108). Canberra: Australian Academy of the Humanities. | en |
| dc.identifier.isbn | 0 909 897 33 6 | |
| dc.identifier.uri | http://hdl.handle.net/2123/8931 | |
| dc.description | This paper has been archived in PARADISEC as part of collection LB1, "Luna and Burgos (Ilocos Sur) (1993) and Vigan (Ilocos Sur) (1995)". Linda Barwick (collector), Linda Barwick (author), 1994; Article by Linda Barwick on 'The Filipino komedya and the Italian maggio', PDF, http://catalog.paradisec.org.au/collections/LB1/items/ARTICLE 2013-02-12. | en |
| dc.description.abstract | The Filipino komedya and the Italian maggio are contemporary traditions of sung popular theatre that use written librettos drawing on European chivalrous verse romances. Their present-day forms, themes and performance practice reflect the intercultural contact and conflict that have characterised their histories. After introducing case studies drawn from the Filipino komedya and the Italian maggio, the paper surveys the history of performance traditions associated with the chivalrous romance, including review of contemporary survivals in a number of performance media, and the use of writing in these and other popular traditions. In order to explain the striking parallels in present-day manifestations of both komedya and maggio, it is necessary to grasp the complex but largely hidden history of dramatic performances that have accompanied the published verse romances. | en |
| dc.description.sponsorship | Australian Research Council, University of Sydney | en |
| dc.language.iso | en | en |
| dc.publisher | Australian Academy of the Humanities | en |
| dc.relation.ispartofseries | Occasional Papers | en |
| dc.rights | Other | en |
| dc.rights.uri | http://www.usyd.edu.au/disclaimer.shtml | en |
| dc.subject | Italian popular theatre | en |
| dc.subject | Filipino popular theatre | en |
| dc.title | Barwick, L. (1994). The Filipino komedya and the Italian maggio: cross-cultural perspectives on related genres of popular music theatre | en |
| dc.type | Book chapter | en |
| dc.rights.other | This material is copyright. Other than for the purposes of and subject to the conditions prescribed under the Copyright Act, no part of it may in any form or by any means (electronic, mechanical, microcopying, photocopying, recording or otherwise) be altered, reproduced, stored in a retrieval system or transmitted without prior written permission from the University of Sydney Library and/or the appropriate author. | en |
| usyd.faculty | Sydney Conservatorium of Music, PARADISEC (Pacific And Regional Archive for Digital Sources in Endangered Cultures) | en |
| usyd.department | Department of Music | en |
| usyd.citation.volume | 16 | en |
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