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dc.contributor.authorNg, Kwok Wai
dc.date.accessioned2012-10-16
dc.date.available2012-10-16
dc.date.issued2007-01-01
dc.identifier.urihttp://hdl.handle.net/2123/8716
dc.language.isoenen
dc.rightsThis copy was made by or on behalf of the University of Sydney. The author retains copyright of this material.
dc.subjectMusic -- China.en
dc.subjectMusic -- Japanen
dc.subjectMusical intervals and scales -- Chinaen
dc.subjectMusical intervals and scales -- Japanen
dc.subjectTōgaku-- History and criticismen
dc.titleThe modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categoriesen
dc.typeThesisen
dc.type.thesisDoctor of Philosophyen
usyd.departmentDepartment of Musicen
usyd.degreeDoctor of Philosophy Ph.D.en
usyd.awardinginstThe University of Sydneyen


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