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dc.contributor.authorSchaefer, Kerrie
dc.date.accessioned2011-11-25
dc.date.available2011-11-25
dc.date.issued1999-01-01
dc.identifier.urihttp://hdl.handle.net/2123/7909
dc.descriptionThis thesis was digitised for the purposes of Document Delivery. It has been made available on open access by Sydney eScholarship and may only be used for the purposes of research and study. Where possible, Sydney eScholarship will try to notify the author of this work. If you have any inquiries or issues regarding this work being made available please contact the Sydney eScholarship Repository Coordinator - [email protected]en
dc.language.isoenen
dc.publisherUniversity of Sydneyen
dc.subjectExperimental theater -- New South Wales -- Sydneyen
dc.subjectPostmodernismen
dc.subjectTheater rehearsals -- New South Wales -- Sydneyen
dc.subjectDon Juan (Legendary character) -- Dramaen
dc.subjectSydney Front Incen
dc.subjectSydney Front Inc. -- Performancesen
dc.titleThe politics of poaching in postmodern performance : a case study of the Sydney Front's Don Juan in rehearsal and performanceen
dc.typeThesisen
dc.type.thesisDoctor of Philosophyen
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
usyd.departmentDepartment of Performance Studiesen
usyd.degreeDoctor of Philosophy Ph.D.en
usyd.awardinginstThe University of Sydneyen


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