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dc.contributor.authorBell, Pamela
dc.date.accessioned2011-05-11
dc.date.available2011-05-11
dc.date.issued2003-01-01
dc.identifier.urihttp://hdl.handle.net/2123/7310
dc.description.abstractThis thesis traces the development of the artist figure as a leading character in twentieth-century Australian novels. In Australia there have always been complex interconnections between the worlds of art and literature, perhaps the most obvious being the cluster of artists and writers centred on the journal Vision, co-edited by Norman Lindsay’s son Jack with Kenneth Slessor, who was heavily influenced by Lindsay. Slessor’s poem “Five Bells”, an elegy for his artist friend Joe Lynch, later became the subject of a mural painted for Sydney Opera House by John Olsen. Although this and other connections between poetry and art are of interest, this thesis concentrates on fiction only.en
dc.rightsThe author retains copyright of this thesis
dc.rights.urihttp://www.library.usyd.edu.au/copyright.html
dc.subjectArt and literature -- Australia -- History -- 20th century.en
dc.subjectPainting in literature.en
dc.subjectAustralian fiction -- 20th century -- History and criticism.en
dc.subjectArtists in literature.en
dc.titleArt that never was : representations of the artist in twentieth-century Australian fictionen
dc.typeThesisen
dc.date.valid2003-01-01en
dc.type.thesisDoctor of Philosophyen
usyd.facultyFaculty of Artsen
usyd.departmentDepartment of Englishen
usyd.degreeDoctor of Philosophy Ph.D.en
usyd.awardinginstThe University of Sydneyen


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