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dc.contributor.authorBell, Pamela
dc.date.accessioned2011-05-11
dc.date.available2011-05-11
dc.date.issued2003-01-01
dc.identifier.urihttp://hdl.handle.net/2123/7310
dc.description.abstractThis thesis traces the development of the artist figure as a leading character in twentieth-century Australian novels. In Australia there have always been complex interconnections between the worlds of art and literature, perhaps the most obvious being the cluster of artists and writers centred on the journal Vision, co-edited by Norman Lindsay’s son Jack with Kenneth Slessor, who was heavily influenced by Lindsay. Slessor’s poem “Five Bells”, an elegy for his artist friend Joe Lynch, later became the subject of a mural painted for Sydney Opera House by John Olsen. Although this and other connections between poetry and art are of interest, this thesis concentrates on fiction only.en_AU
dc.rightsThe author retains copyright of this thesis.
dc.rights.urihttp://www.library.usyd.edu.au/copyright.html
dc.subjectArt and literature -- Australia -- History -- 20th century.en_AU
dc.subjectPainting in literature.en_AU
dc.subjectAustralian fiction -- 20th century -- History and criticism.en_AU
dc.subjectArtists in literature.en_AU
dc.titleArt that never was : representations of the artist in twentieth-century Australian fictionen_AU
dc.typeThesisen_AU
dc.date.valid2003-01-01en_AU
dc.type.thesisDoctor of Philosophyen_AU
usyd.facultyFaculty of Artsen_AU
usyd.departmentDepartment of Englishen_AU
usyd.degreeDoctor of Philosophy Ph.D.en_AU
usyd.awardinginstThe University of Sydneyen_AU


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