Writing a Migrant Body: Identity Predicament and Resistance in Sinophone Fiction by Chinese Migrant Women in Australia 1996-2004
| Field | Value | Language |
| dc.contributor.author | Ye, Su | |
| dc.date.accessioned | 2026-06-09T07:13:27Z | |
| dc.date.available | 2026-06-09T07:13:27Z | |
| dc.date.issued | 2026 | en_AU |
| dc.identifier.uri | https://hdl.handle.net/2123/35403 | |
| dc.description.abstract | This thesis examines the migrant identities of mainland Chinese women in 1990s Australia through Sinophone fictional works by migrant women writers, centring the migrant body as a core site of gendered, racialized, and transnational power negotiation, exploitation, and resistance. Spanning five interwoven chapters, the study traces a thematic progression from male migrants’ socio-economic precarity and bodily marginalization to female migrants’ layered quests for belonging, sexual subjectivity, marital agency, and cross-cultural solidarity. Chapter One establishes an analytical baseline via metamorphosis and gaze subversion, highlighting the vulnerable male migrant body in women’s writing. Chapter Two explores “return” as a response to rootlessness, revealing the psychological un-recoverability of the homeland and an alternative return to Eastern Buddhist-Taoist philosophy. Chapter Three examines female sexual subjectivity as emerging not through linear Western emancipation but via imitation, sacrifice, rupture, and utilitarian coping. Chapter Four analyses migrant marriages as sites of power imbalance, where the female body becomes a locus of gendered labour displacement, exploitation, and resistance. Chapter Five explores “sisterhood” from internalized misogyny to cross-racial, cross-class solidarity. The thesis reveals that the conflicting roles of the literary “body” align with the complexity of Chinese women’s migrant identities, and that “writing a migrant body” is a unique tool to expose and resist multiple pressures. It argues that Sinophone fiction by 1990s migrant women reclaims the female body from Western Orientalist stereotypes and redefines migrant identity through nuanced portrayals of resistance and agency, revealing female solidarity as a vital form of empowerment. Migrant identity and feminist consciousness are iterative processes, forged through repeated engagement with marginalization across all spheres of migrant life. | en_AU |
| dc.language.iso | en | en_AU |
| dc.subject | 1990s Chinese migrant women | en_AU |
| dc.subject | Australian Sinophone literature | en_AU |
| dc.subject | migrant body | en_AU |
| dc.subject | migrant identity | en_AU |
| dc.subject | gender and race | en_AU |
| dc.subject | female solidarity | en_AU |
| dc.title | Writing a Migrant Body: Identity Predicament and Resistance in Sinophone Fiction by Chinese Migrant Women in Australia 1996-2004 | en_AU |
| dc.type | Thesis | |
| dc.type.thesis | Doctor of Philosophy | en_AU |
| dc.rights.other | The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission. | en |
| usyd.faculty | SeS faculties schools::Faculty of Arts and Social Sciences::School of Languages and Cultures | en_AU |
| usyd.degree | Doctor of Philosophy Ph.D. | en_AU |
| usyd.awardinginst | The University of Sydney | en_AU |
| usyd.advisor | Stenberg, Josh | |
| usyd.include.pub | No | en_AU |
Associated file/s
Associated collections