Archive to Mine: Inheritance, Hauntology, and Practice
Access status:
Open Access
Type
ThesisThesis type
Masters by ResearchAuthor/s
Harman, JackAbstract
Archive to Mine: Inheritance, Hauntology and Practice is a practice-based research project examining the interplay of nonhuman materialities and familial legacies within anthropocentric ecological crisis. Through a photomedia-based inquiry into my great-grandfather Francis ‘Frank’ ...
See moreArchive to Mine: Inheritance, Hauntology and Practice is a practice-based research project examining the interplay of nonhuman materialities and familial legacies within anthropocentric ecological crisis. Through a photomedia-based inquiry into my great-grandfather Francis ‘Frank’ Reginald Martin’s archive, I trace his reported mining sites across western New South Wales. Frank's archive acknowledges my personal entanglement in the harms of Western epistemic regimes, and I seek repair and reconciliation with Indigenous communities and country through my practice. I employ ecological thinking and situated knowledge as counter-epistemologies. I examine how the archive’s fallibility exposes the influence of social habitus on representation and use hauntology as a generative lens for engaging with Frank’s presence and absence. Fieldwork across his locations positions land as an interlocutor for his ghost. The arc of my practice attempts an impossible story: contraposing memory and forgetting, fact and myth, subject and object, and the virtual and the real. In mapping Frank’s spatial and temporal terrain, I produce open-ended, speculative works which reflect a polytemporal phenomenology and the dynamic agency of the more-than-human world.
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See moreArchive to Mine: Inheritance, Hauntology and Practice is a practice-based research project examining the interplay of nonhuman materialities and familial legacies within anthropocentric ecological crisis. Through a photomedia-based inquiry into my great-grandfather Francis ‘Frank’ Reginald Martin’s archive, I trace his reported mining sites across western New South Wales. Frank's archive acknowledges my personal entanglement in the harms of Western epistemic regimes, and I seek repair and reconciliation with Indigenous communities and country through my practice. I employ ecological thinking and situated knowledge as counter-epistemologies. I examine how the archive’s fallibility exposes the influence of social habitus on representation and use hauntology as a generative lens for engaging with Frank’s presence and absence. Fieldwork across his locations positions land as an interlocutor for his ghost. The arc of my practice attempts an impossible story: contraposing memory and forgetting, fact and myth, subject and object, and the virtual and the real. In mapping Frank’s spatial and temporal terrain, I produce open-ended, speculative works which reflect a polytemporal phenomenology and the dynamic agency of the more-than-human world.
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Date
2026Rights statement
The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.Faculty/School
Faculty of Arts and Social Sciences, School of Art, Communication and EnglishDepartment, Discipline or Centre
Sydney College of the ArtsAwarding institution
The University of SydneyShare