Gender Psychodynamics in Films by Contemporary Greek Female Directors

Abstract

This thesis explores gender representations in three contemporary feature films by Greek female directors during the period 1973–2009. The films selected are: Tonia Marketaki’s [Τώνια Μαρκετάκη] (1942–1994) John the Violent [Ιωάννης ο Βίαιος] (1973); Frieda Liappa’s [Φρίντα Λιάππα] (1948– 1994) Love Wanders in the Night [Οι δρόμοι της Αγάπης είναι Νυχτερινοί] (1981); and Margarita Manda’s [Μαργαρίτα Μαντά] (1963–) Gold Dust [Χρυσόσκονη] (2009). All three films are the directors’ debut feature-length works and critically acclaimed narrative dramas, each set in Athens. While offering distinct approaches to their thematic concerns, they collectively provide a rich foundation for comparative analysis. This study examines the filmmakers’ motivations, approaches, and objectives in shaping their visual and linguistic expression, situated within the historical legacy of iconic Greek cinema. Greek female directors have developed distinctive and eclectic visual styles, offering fresh interpretations of universal themes that remain powerfully relevant. Often ahead of their time, they have produced incisive explorations of personal and social issues, demonstrating exceptional commitment to their craft despite persistent obstacles, including limited institutional support, lack of recognition or funding, and at times active resistance.