The sword, the pen and the brush : Australian poetry and painting in the battle with tradition, 1923-1948
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Open Access
Type
ThesisThesis type
Doctor of PhilosophyAuthor/s
Muranty, SusanAbstract
A full understanding of the ways in which poetry and painting relate to each other
can be grasped only by a keen knowledge of the circumstances which contributed to, and
encouraged, their association. Such an approach is preferable in any discussion of
interchange between the ...
See moreA full understanding of the ways in which poetry and painting relate to each other can be grasped only by a keen knowledge of the circumstances which contributed to, and encouraged, their association. Such an approach is preferable in any discussion of interchange between the arts. But in analysing the multitude of relationships shared by Australian poetry and painting during the three decades following the end of World War One it is essential. Between 1923 and 1948, poems were written about paintings, friendships formed between poets and painters and techniques learned from the exchange which altered the character of local art and literature. To confine discussions of the era to say, pictorialism in poetry or literary allusions in painting is to gain a patchy, unsatisfactory view of an epoch which witnessed more instances of collaboration between poets and painters than any other period in Australia’s history.
See less
See moreA full understanding of the ways in which poetry and painting relate to each other can be grasped only by a keen knowledge of the circumstances which contributed to, and encouraged, their association. Such an approach is preferable in any discussion of interchange between the arts. But in analysing the multitude of relationships shared by Australian poetry and painting during the three decades following the end of World War One it is essential. Between 1923 and 1948, poems were written about paintings, friendships formed between poets and painters and techniques learned from the exchange which altered the character of local art and literature. To confine discussions of the era to say, pictorialism in poetry or literary allusions in painting is to gain a patchy, unsatisfactory view of an epoch which witnessed more instances of collaboration between poets and painters than any other period in Australia’s history.
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Date
1991Rights statement
The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.Faculty/School
Faculty of ArtsDepartment, Discipline or Centre
Department of Australian LiteratureAwarding institution
The University of SydneyShare