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dc.contributor.authorHoeppner-Ryan, Anke
dc.date.accessioned2025-12-01T03:06:43Z
dc.date.available2025-12-01T03:06:43Z
dc.date.issued2023en
dc.identifier.urihttps://hdl.handle.net/2123/34561
dc.description.abstractThis paper examines how intergenerational meeting spaces can be created through shared musical experiences and explores the resulting educational benefits for undergraduate vocal students at the Sydney Conservatorium of Music. Drawing on integrated training in voice, diction, and performance, the study investigates how students develop broader graduate qualities—including cultural competence, communication, and reflective practice—through authentic audience engagement. Two learning contexts are examined: the Demant Dreikurs Scholarship Competition and the student-founded Concordia Ensemble opera company. Reflections from students and feedback from audience members highlight the potential of classical music to transcend generational boundaries, cultivate intercultural dialogue, and strengthen community relationships. The findings emphasise the value of small-scale, interpersonal performance experiences within higher education and point to new pedagogical opportunities for integrating intergenerational engagement into conservatoire training.en
dc.language.isoenen
dc.publisherInternational Society for Music Education (ISME) Summit at the Hong Kong International Music Festivalen
dc.rightsCreative Commons Attribution 4.0en
dc.subjectIntergenerational engagementen
dc.subjectClassical vocal performanceen
dc.subjectMusic educationen
dc.subjectAudience interactionen
dc.subjectCultural competenceen
dc.subjectWork-integrated learningen
dc.subjectConservatoire pedagogyen
dc.subjectCommunity musicen
dc.subjectDiction and performanceen
dc.subjectConcordia Ensembleen
dc.subjectDemant Dreikurs Scholarship Competitionen
dc.titleCreating Intergenerational Meeting Spaces Through Sharing Musical Experiencesen
dc.typeConference paperen
dc.subject.asrcANZSRC FoR code::47 LANGUAGE, COMMUNICATION AND CULTUREen
dc.identifier.doi10.25910/3d51-my17
dc.rights.other© 2023 The Author. This version is made available under the terms of the University of Sydney’s institutional repository guidelines. No exclusive copyright was assigned to the conference organisers, and the author retains the right to archive and distribute this work.en
usyd.facultySeS faculties schools::Sydney Conservatorium of Musicen
workflow.metadata.onlyNoen


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