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dc.contributor.authorAntoniou, Izabella
dc.date.accessioned2025-11-12T02:55:52Z
dc.date.available2025-11-12T02:55:52Z
dc.date.issued2022en
dc.identifier.urihttps://hdl.handle.net/2123/34501
dc.descriptionIncludes publication
dc.description.abstractAustralia has been internationally criticised for its controversial treatment of refugees and asylum seekers. However, an underexamined aspect of Australia’s relationship to refugeehood is how the state’s approach to resettlement is informed by the coloniality of power shaping Australian institutions and bodies of governance. This has led to a blind spot in understanding how refugee women are crafted as a colonially managed population. This study examines the assumptions, experiences and opinions on settlement, artistic production, and lived realities of being categorised as a refugee woman as told by displaced women artists from Southwest Asia and North Africa (SWANA) who are resettling in Australia. Using SWANA feminist scholarship and Indigenous epistemologies to frame SWANA women’s experience of coloniality in Australia, this work begins to build an archive of narratives that illuminate the diverse experiences of refugee women living in Sydney, with a focus on women who arrived in Australia between 2001 and 2019. Through their voices, this study critically analyses themes of identity, individual subjectivities, and their relationship to the state institutions, to deconstruct mainstream binary narratives that tend to portray refugee women as either victims or politically active rebels by exploring “The Third Space”, which this work conceptualises as a site of existence and relationality that intertwines politics and domesticity. These testimonies and insights create an avenue through which to critically analyse core aspects of Australian cultural history to provide an appraisal of how the colonial history of the Australian modern state affects its ways of interacting with people who are marginalised due to a combination of class, race, and gender factors. Through the analysis of refugee women’s knowledge production, the final thesis offers an alternative history of Australia, its state institutions, and multicultural ambitionen
dc.language.isoenen
dc.rightsThe author retains copyright of this thesis
dc.subjectSWANAen
dc.subjectwomenen
dc.subjectrefugeeen
dc.subjectcolonialityen
dc.subjectAustraliaen
dc.subjectmulticulturalismen
dc.titleAmplifying the Third Space: Exploring the Knowledge and Artistic Production of Southwest Asia and North African Refugee Women Living in Australiaen
dc.typeThesis
dc.type.thesisMasters by Researchen
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
usyd.facultySeS faculties schools::Faculty of Arts and Social Sciences::School of Languages and Culturesen
usyd.departmentArabic Languages and Culturesen
usyd.degreeMaster of Arts (Research) M.A.(Res.)en
usyd.awardinginstThe University of Sydneyen
usyd.advisorSorbera, Lucia
usyd.include.pubYesen


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