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dc.contributor.authorMacdonald, Caitlin
dc.date.accessioned2025-10-19T23:52:38Z
dc.date.available2025-10-19T23:52:38Z
dc.date.issued2025en
dc.identifier.urihttps://hdl.handle.net/2123/34414
dc.description.abstractThis project investigates how genre conditions the representation of animals in hyper-contemporary Australian fiction engaged with the environmental devastation of climate change. Analysing five novels by settler authors - Robbie Arnott’s 'Limberlost' (2022), Erin Hortle’s 'The Octopus and I' (2020), Charlotte McConaghy’s 'Once There Were Wolves' (2021), Laura Jean McKay’s 'The Animals in That Country' (2020), and Chris Flynn’s 'Mammoth' (2020) - I examine how these works navigate the representational and ethical complexities of the Anthropocene by centring animal presence and perspectives. This thesis traces how writers employ a spectrum of generic modes, from realism to speculative fiction, to depict animals and their interactions with humans, demonstrating how diverse genres convey animal presence and agency. Crucial to this research is my theorisation of ‘animal communication,’ a concept that transcends anthropomorphism by exploring how writers’ representations of gaze, behaviour, voice, and human-animal interactions depict animal presence and subjectivity without relying solely on animal interiority. This thesis challenges Amitav Ghosh’s critique of realism, demonstrating how the realist mode, alongside speculative and experimental approaches, addresses the vast, nonhuman dimensions of climate change effectively. Furthermore, it examines critically settler-colonial legacies embedded in these narratives, focusing on their portrayal of violence, care, and ethics in human-animal relationships on colonised land. By revealing how genre shapes the representation of animal subjectivity and environmental ethics through animal communication, this thesis offers a nuanced perspective on contemporary Australian literature at the intersection of environmental ethics, animal studies, and literary form. Its findings contribute to broader discussions of the power of storytelling to reimagine human-animal relationships and inspire ethical engagement in the Anthropocene.en
dc.language.isoenen
dc.subjectAustralian fictionen
dc.subjectAnthropoceneen
dc.subjectanimal studiesen
dc.subjectenvironmental ethicsen
dc.subjectgenreen
dc.subjectclimate changeen
dc.titleAnimal Communication in Hyper-Contemporary Australian Literature: Genre, Ethics, and Climate Changeen
dc.typeThesis
dc.type.thesisDoctor of Philosophyen
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
usyd.facultySeS faculties schools::Faculty of Arts and Social Sciences::School of Art, Communication and Englishen
usyd.departmentDiscipline of English and Writingen
usyd.degreeDoctor of Philosophy Ph.D.en
usyd.awardinginstThe University of Sydneyen
usyd.advisorBrayshaw, Megan


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