Show simple item record

FieldValueLanguage
dc.contributor.authorDe Piccoli, Catia Rossana
dc.date.accessioned2025-05-14T02:00:18Z
dc.date.available2025-05-14T02:00:18Z
dc.date.issued2025en
dc.identifier.urihttps://hdl.handle.net/2123/33906
dc.description.abstractHow does La Vie de Mahomet (Charlie Hebdo)'s novel strategy - which combines a BD form and substantive analytical tools in peritext - contribute to asserting authorial control over the caricatural representation of Islam in secular French culture and, ultimately, to the renewal of the caricatural genre?en
dc.language.isoenen
dc.subjectSequentialen
dc.subjectcaricatureen
dc.subjectCharlie Hebdoen
dc.subjectrepresentation of Islamen
dc.titleReligious Representations in the Francophone Iconographic Satire Landscape: The Analysis of Charlie Hebdo’s Caricatural Bande Dessinée, La Vie de Mahomet (2013)en
dc.typeThesis
dc.type.thesisMasters by Researchen
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
usyd.facultySeS faculties schools::Faculty of Arts and Social Sciences::School of Languages and Culturesen
usyd.departmentDiscipline of French and Francophone Studiesen
usyd.degreeMaster of Arts (Research) M.A.(Res.)en
usyd.awardinginstThe University of Sydneyen
usyd.advisorRoyer, Michelle


Show simple item record

Associated file/s

Associated collections

Show simple item record

There are no previous versions of the item available.