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dc.contributor.authorWaldron, Gavin Robert
dc.date.accessioned2025-01-13T00:13:01Z
dc.date.available2025-01-13T00:13:01Z
dc.date.issued2024en
dc.identifier.urihttps://hdl.handle.net/2123/33524
dc.description.abstractIn 1488, Rabbi Yohanan Alemanno (c.1435-1504) arrived in Florence to tutor the renowned philosopher, Giovanni Pico della Mirandola (c.1463-1494), in Hebrew. Despite the pair’s shared interest in natural magic, this final period of Pico’s life (1488-1494) is increasingly concerned with biblical exegesis, where Pico generally refrains from citing the diverse sources emblematic of his youth in favour of more common Christian interpreters. By paying attention to the influence of Alemanno in this period of Pico’s life, this thesis will suggest that Pico’s supposedly religious turn is completely consistent with his philosophical interest in magical literature. Comparing the pair’s biblical commentaries, written while they were in direct contact, we can see a cosmological consistency between them, developed within a shared allegorical mode of interpreting the Bible. In Alemanno’s work, the place of magic in this allegorical structure is explicit, and although Pico does not directly allude to natural magic in his own commentaries, there is evidence to suggest that the place of magic is one of the many consistencies between the pair’s allegorical models. In light of this comparison with his Hebrew tutor, one of Pico’s least-studied works, his Expositiones in Psalmos, takes on a new significance in studies of Renaissance magic, allowing for a reassessment of the later years of his life and his intellectual legacy.en
dc.language.isoenen
dc.subjectRenaissanceen
dc.subjectNeoplatonismen
dc.subjectMagicen
dc.subjectAlemannoen
dc.subjectPico della Mirandolaen
dc.subjectFlorenceen
dc.titleMagic and Religion in the Renaissance: A Study of the Biblical Exegesis of Giovanni Pico della Mirandola and R. Yohanan Alemanno.en
dc.typeThesis
dc.type.thesisDoctor of Philosophyen
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
usyd.facultyFaculty of Arts and Social Sciencesen
usyd.facultySchool of Languages and Culturesen
usyd.departmentItalian Studiesen
usyd.degreeDoctor of Philosophy Ph.D.en
usyd.awardinginstThe University of Sydneyen
usyd.advisorBorghesi, Francesco
usyd.advisorLelli, Fabrizio
usyd.advisorCanaris, Daniel


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