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dc.contributor.authorBeaumont, Natasha Elizabeth
dc.date.accessioned2024-11-25T00:06:44Z
dc.date.available2024-11-25T00:06:44Z
dc.date.issued2024en_AU
dc.identifier.urihttps://hdl.handle.net/2123/33308
dc.description.abstractThis thesis examines the perceived challenges and benefits of using digital video for the teaching of literacy in the context of Australian primary schools. Despite wide-spread recognition of the need to equip students with digital skills for life and work, there are significant barriers to teachers’ uptake of creative digital approaches in the classroom. Qualitative case study methodology was employed to investigate both barriers and gains of using video-based pedagogy in two contrasting schools in Western Sydney. Multimodal, critical and creative elements of students’ work were observed with the aim of deepening understandings of how digital videomaking can contribute to classroom learning. Data collected included student and teacher interviews, along with field notes and meeting transcripts. Line-by-line coding and thematic analysis were used to synthesise the research findings into four overarching themes. These themes pertained to the multifaceted nature of videomaking as literacy work, the improved accessibility and inclusiveness of using digital video, creativity as a vital stimulus for thinking and learning, and the role of identity and relationships in the successful delivery of digital pedagogies. Findings indicate a strong activation of oral, visual and digital literacy through videomaking, with high levels of interest and perceived relevance by participants. The practical nature of videomaking was particularly effective in engaging students from diverse and disadvantaged backgrounds. The authentic and interactive elements of videomaking allowed these students to connect with content learning in meaningful ways, fostering technological self-concept and creative confidence. Critical thinking was encouraged through reflection on students’ own work, but findings indicate that the effective teaching of critical digital literacy alongside practical making required more time than was available.en_AU
dc.language.isoenen_AU
dc.subjectdigital pedagogyen_AU
dc.subjectvideomakingen_AU
dc.subjectmultimodal literacyen_AU
dc.subjectcritical digital literacyen_AU
dc.subjectcreative learningen_AU
dc.subjectstudent engagementen_AU
dc.subjectlow SES schoolsen_AU
dc.subjectconstructionismen_AU
dc.subjectsociocultural creativityen_AU
dc.titleDigital videomaking for multimodal, critical and creative literacies: Case study of video pedagogy in two Australian primary schoolsen_AU
dc.typeThesis
dc.type.thesisDoctor of Philosophyen_AU
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
usyd.facultyFaculty of Arts and Social Sciencesen_AU
usyd.facultySydney School of Education and Social Worken_AU
usyd.degreeDoctor of Philosophy Ph.D.en_AU
usyd.awardinginstThe University of Sydneyen_AU
usyd.advisorAnderson, Michael
usyd.advisorFreebody, Kelly


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