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dc.contributor.authorZhang, Xinrui
dc.date.accessioned2024-10-23T02:08:35Z
dc.date.available2024-10-23T02:08:35Z
dc.date.issued2024en_AU
dc.identifier.urihttps://hdl.handle.net/2123/33206
dc.description.abstractThe construction of China’s image in Chinese publicity documentary films plays a critical role in the Chinese government’s endeavor to shape international and domestic perceptions of China. The major knowledge gap, and the focus of this study, is how the national image is shaped in the selected films, most notably through major aspects of film production such as themes, narratives, mise-en-scene, photography, and editing. The in-depth analysis of these aspects in this study using art and communication theories including Jakobson’s communication model, Prince’s narrative concept and Giannetti’s visual language concepts suggest that those essential film-making techniques are used in all the selected documentaries with varying degrees of success. The findings provide fresh insight into the workings of Chinese publicity documentary films in relation to China’s representation.en_AU
dc.language.isoenen_AU
dc.subjectNational Imageen_AU
dc.subjectPublicity documentary filmsen_AU
dc.subjectNarrative techniqueen_AU
dc.subjectAudio-visual techniquesen_AU
dc.titlePromoting China: National Image in Documentary Films of the Xi Jinping Eraen_AU
dc.typeThesis
dc.type.thesisDoctor of Philosophyen_AU
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
usyd.facultyFaculty of Arts and Social Sciencesen_AU
usyd.facultySchool of Languages and Culturesen_AU
usyd.departmentChinese Studiesen_AU
usyd.degreeDoctor of Philosophy Ph.D.en_AU
usyd.awardinginstThe University of Sydneyen_AU
usyd.advisorGuo, Yingjie
usyd.advisorNip, Joyce


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