The Figure of the Literary Outsider in the Work of Jean Rhys and T.S. Eliot
Access status:
Open Access
Type
ThesisThesis type
Masters by ResearchAuthor/s
Travers-Robinson, NicolaAbstract
While Eliot and Rhys have, at times, been listed together as contemporaneous authors they have rarely been studied as comparable or commensurate literary figures. However, both Rhys and Eliot saw themselves to differing extents as outsiders, particularly in the imperial centre of ...
See moreWhile Eliot and Rhys have, at times, been listed together as contemporaneous authors they have rarely been studied as comparable or commensurate literary figures. However, both Rhys and Eliot saw themselves to differing extents as outsiders, particularly in the imperial centre of London, and the outsider is present in both authors’ work, being strongly linked to modernist urban spaces, as well as to ideas of gender, race, and class. This thesis seeks to examine, through a comparison of Rhys and Eliot, the outsider-author and the impact outsider status had on their work as well as questioning why the outsider was a figure not only of modernist fiction but the modernist world. In asking these questions, this thesis accounts for the extent to which the social cultural conditions of the early twentieth century, particularly the effects of empire and migration, generated the conditions for the formation of outsiders.
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See moreWhile Eliot and Rhys have, at times, been listed together as contemporaneous authors they have rarely been studied as comparable or commensurate literary figures. However, both Rhys and Eliot saw themselves to differing extents as outsiders, particularly in the imperial centre of London, and the outsider is present in both authors’ work, being strongly linked to modernist urban spaces, as well as to ideas of gender, race, and class. This thesis seeks to examine, through a comparison of Rhys and Eliot, the outsider-author and the impact outsider status had on their work as well as questioning why the outsider was a figure not only of modernist fiction but the modernist world. In asking these questions, this thesis accounts for the extent to which the social cultural conditions of the early twentieth century, particularly the effects of empire and migration, generated the conditions for the formation of outsiders.
See less
Date
2024Rights statement
The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.Faculty/School
Faculty of Arts and Social Sciences, School of Art, Communication and EnglishDepartment, Discipline or Centre
Discipline of English and WritingAwarding institution
The University of SydneyShare