The Fickle Pendulum: A Poetic Investigation of Belief and Doubt Through Three “Historical” Personages – Saint Thomas the Apostle, Galileo Galilei and Laura (Riding) Jackson
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Open Access
Type
ThesisThesis type
Professional doctorateAuthor/s
Scully, PaulAbstract
This Doctor of Arts dissertation combines a critical exegesis and a volume of poetry in a creative and scholarly inquiry into belief and doubt. In both detailed research and poetic reflection they examine and contemplate tests of faith experienced by three significant personages – ...
See moreThis Doctor of Arts dissertation combines a critical exegesis and a volume of poetry in a creative and scholarly inquiry into belief and doubt. In both detailed research and poetic reflection they examine and contemplate tests of faith experienced by three significant personages – Saint Thomas the Apostle, who is challenged by Jesus to touch His risen body after Thomas has expressed a need to do so before he can believe in the Resurrection; Galileo Galilei, who is examined by the Inquisition after advocating the heliocentrism of Copernicus despite the Church’s injunctions against it; and the modernist American poet Laura (Riding) Jackson, who ultimately rejects poetry as the language of truth after having been one of its most passionate advocates. Despite differences in eras and in the genera of belief and doubt the three represent, there are rich “concordances” between their respective fidelities and dubieties to be observed: the hunger for truth, the role of language and texts, the need for evidence, concepts of substantiality and how the quest for the absolute is ultimately a study in human variability. The tests of faith themselves, the issues and personalities in contention, and broader situational and literary contexts are appraised critically and decanted into the medium of poetry, deepening the dissertation’s meditation on “the Fickle Pendulum” of human spiritualty, thought and art.
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See moreThis Doctor of Arts dissertation combines a critical exegesis and a volume of poetry in a creative and scholarly inquiry into belief and doubt. In both detailed research and poetic reflection they examine and contemplate tests of faith experienced by three significant personages – Saint Thomas the Apostle, who is challenged by Jesus to touch His risen body after Thomas has expressed a need to do so before he can believe in the Resurrection; Galileo Galilei, who is examined by the Inquisition after advocating the heliocentrism of Copernicus despite the Church’s injunctions against it; and the modernist American poet Laura (Riding) Jackson, who ultimately rejects poetry as the language of truth after having been one of its most passionate advocates. Despite differences in eras and in the genera of belief and doubt the three represent, there are rich “concordances” between their respective fidelities and dubieties to be observed: the hunger for truth, the role of language and texts, the need for evidence, concepts of substantiality and how the quest for the absolute is ultimately a study in human variability. The tests of faith themselves, the issues and personalities in contention, and broader situational and literary contexts are appraised critically and decanted into the medium of poetry, deepening the dissertation’s meditation on “the Fickle Pendulum” of human spiritualty, thought and art.
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Date
2024Rights statement
The author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.Faculty/School
Faculty of Arts and Social Sciences, School of Art, Communication and EnglishDepartment, Discipline or Centre
Discipline of English and WritingAwarding institution
The University of SydneyShare