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dc.contributor.authorGlenn, Harper
dc.date.accessioned2024-06-17T03:30:20Z
dc.date.available2024-06-17T03:30:20Z
dc.date.issued2024en_AU
dc.identifier.urihttps://hdl.handle.net/2123/32659
dc.description.abstractBy the early 1960s the use of unpainted concrete in many New South Wales (NSW) public buildings represented an aesthetic shift in their architectural expression. Inspired by the architectural discourse associated with the stylistic rubric of the New Brutalism, these buildings were imagined collectively and designed by a figure defined in this thesis as the NSW public agency architect. While some recent histories of the New Brutalism in Australia have analysed this period as a regional variation of a major international movement, this research instead highlights the distinct role of the NSW public agency architect in crafting new public territories. The public agency architect did this by reinterpreting traditional and modern urban design intentions before deploying Brutalist aesthetics as the expressive vehicle. With a sense of design responsibility, these architects had a clear focus on the expression of each new civic or public building. This composite figure in NSW architectural culture consisted of those who worked for the NSW Government Architect and their design branch, the Commonwealth Public Works, as well as private sector architectural practices who designed public buildings. Here the NSW public agency architect deployed Brutalist aesthetics when the scope of their work included projects for the Commonwealth (or the Federal government), the NSW State government, municipal government, public institutions, the Commonwealth Bank, post offices and all the state’s universities. This research examines the viewpoints and formal strategies championed by the NSW public agency architect between 1958 and 1988. The thesis thereby argues that the public agency architect conceptualised various ‘bold and lyrical’ forms for a variety of urban, non-urban and regional NSW settings by spatially framing new public landscapes at a time when a reformed sense of urbanity and the New Brutalism aligned with an ambition to reshape (and communicate) a modern civil society.en_AU
dc.language.isoenen_AU
dc.subjectThe New Brutalismen_AU
dc.subjectBrutalist architecture in NSWen_AU
dc.subjectPublic Agency Architectureen_AU
dc.subjectNSW public architectureen_AU
dc.subjectNSW Government Architecten_AU
dc.subjectCommonwealth Design Branchen_AU
dc.titlePublic Agency and the New Brutalism: Public Architecture in New South Wales, 1958-1988en_AU
dc.typeThesis
dc.type.thesisDoctor of Philosophyen_AU
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
usyd.facultySeS faculties schools::Sydney Conservatorium of Musicen_AU
usyd.degreeDoctor of Philosophy Ph.D.en_AU
usyd.awardinginstThe University of Sydneyen_AU
usyd.advisorLogan, Cameron
usyd.include.pubNoen_AU


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