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dc.contributor.authorDibbs, Jason
dc.date.accessioned2024-05-21T01:46:58Z
dc.date.available2024-05-21T01:46:58Z
dc.date.issued2024en_AU
dc.identifier.urihttps://hdl.handle.net/2123/32567
dc.description.abstractGeoffrey Scott is today best remembered for his book-length contribution to the field of architectural criticism: The Architecture of Humanism: A Study in the History of Taste (1914/1924). Six years before the publication of this book, however, Scott published the Oxford Chancellor’s Prize-winning essay, The National Character of English Architecture (1908). In this, Scott articulated his privileging of Hellenic and humanist cultural and aesthetic values and applied his understanding of these to the elucidation of the architectural subject. Whilst today this essay is seldom studied, this dissertation posits that it is an important record of Scott’s life and preoccupations during his formative years, evidencing the mode by which classical humanism underpinned his appreciation of art, architecture, and aesthetic and moral values more broadly. Drawing on Scott’s written correspondence—and the correspondence of contemporaries including Mary Berenson and John Maynard Keynes—this dissertation identifies the formation of certain of Scott’s ideas not yet accounted for in the literature: his deference to classical Hellenism, and the concomitance of aesthetics, morality, and male homoeroticism for him between 1884 and 1908. This analysis is framed by the late nineteenth-century literary Hellenic revival at Oxford University; the Oscar Wilde trials of 1895; discourse on the “new persecution of peripheral sexualities” and constructions of “homosexuality” in Victorian era legal and medico-scientific frameworks; and, aestheticized and tacit understandings of homoeroticism encoded in newspaper reporting on homoerotically charged “scandals” of the time. Against this backdrop, the aesthetic-moral schema Scott encoded in his letters and in his essay, will be viewed as a call for “a new vision of life,” and understood as an attempt to reconcile the force of his aesthetic and homoerotic sensibilities with the strictures and prohibitions of the age in which he lived.en_AU
dc.language.isoenen_AU
dc.subjectGeoffrey Scotten_AU
dc.subjectCecil Pinsenten_AU
dc.subjectJohn Maynard Keynesen_AU
dc.subjectaestheticsen_AU
dc.subjecthomoeroticismen_AU
dc.subjectarchitectural criticismen_AU
dc.titleBefore the Architecture of Humanism: Geoffrey Scott and the Hellenic Revivalen_AU
dc.typeThesis
dc.type.thesisDoctor of Philosophyen_AU
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
usyd.facultySeS faculties schools::Sydney School of Architecture, Design and Planningen_AU
usyd.degreeDoctor of Philosophy Ph.D.en_AU
usyd.awardinginstThe University of Sydneyen_AU
usyd.advisorAnderson, Ross J
usyd.include.pubNoen_AU


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