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dc.contributor.authorSmith, Helen
dc.date.accessioned2024-02-19T04:22:34Z
dc.date.available2024-02-19T04:22:34Z
dc.date.issued2024en
dc.identifier.urihttps://hdl.handle.net/2123/32232
dc.description.abstractThis research project investigates the concept of minimalism in art and its connection to the theoretical practices employed to solve problems in quantum physics. By incorporating the concept of agential realism, which is derived from both quantum physics and philosophy, I aim to present a new interpretation of post-minimal art that is influenced by a formal and conceptual perspective. Situated within the realm of contemporary painting, my artistic practice employs repetitive and undulating lines of paint, as well as site-specific works created using geometric painted-paper cut-outs. Through these techniques, I aim to explore how painting can abstractly represent time and space. The challenge of working within constraints informs my artistic process, resulting in works that systematically expand upon minimal painting and examine the containment of labour and life in a visual form. Within this framework, a multitude of exhibition possibilities are established, and comparisons are drawn between the activity of matter on a quantum level and human responses to time and space. Physicist Karen Barad's observations of quantum weirdness and how matter behaves in the quantum realm resonate with this exploration, as they enable us to develop new ways of thinking. Additionally, ideas related to the concept of agential realism, which encompasses the nature of difference, space, time, matter, causality, and agency, are considered. This interdisciplinary approach intersects with the fields of physics and art history, and its effectiveness is tested through distinct bodies of work.en
dc.language.isoenen
dc.rightsCopyright All Rights Reserveden
dc.subjectMinimalism in Arten
dc.subjectQuantum Physicsen
dc.title"The World is Your Studio": Identifying a Correlation Between the Idea of Minimalism in Art and Quantum Mutual Informationen
dc.typeThesis
dc.type.thesisMasters by Researchen
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en
usyd.facultySeS faculties schools::Faculty of Arts and Social Sciences::School of Art, Communication and Englishen
usyd.departmentSydney College of the Artsen
usyd.degreeMaster of Fine Arts M.F.A.en
usyd.awardinginstThe University of Sydneyen
usyd.advisorKelly, Madeleineen


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