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dc.contributor.authorCrawford, Trent
dc.date.accessioned2023-08-03T03:00:48Z
dc.date.available2023-08-03T03:00:48Z
dc.date.issued2023en_AU
dc.identifier.urihttps://hdl.handle.net/2123/31519
dc.description.abstractUrban Exploration is the name given to the recreational pastime of exploring and discovering forgotten spaces left behind by societal expansion. These include abandoned warehouses, underground tunnel systems and spaces that have been abandoned or hidden from the public eye. This practice-based research project details the evolution of an acousmatic music practice concerned with exploring abandoned and disused urban environments. The present thesis outlines how engaging with the aural experience of Urban Exploration can facilitate connections between sonic urban environments and electroacoustic music composition. In the traditions of Urban Exploration, numerous abandoned spaces were explored to capture sonic materials through various field recording techniques. Spaces explored in this project include some of Sydney’s most iconic abandoned and disused spaces, such as The White Bay Power Station, St James abandoned tunnel systems and the WWII Mosman Gunner tunnel systems. Ambisonic, binaural and impulse response recordings collected at each site subsequently formed the basis of three acousmatic compositions developed throughout this project’s life.en_AU
dc.language.isoenen_AU
dc.subjectsonic auto-ethnographyen_AU
dc.subjectacousmatic musicen_AU
dc.subjectmodular synthesisen_AU
dc.subjectbinauralen_AU
dc.subjectambisonicsen_AU
dc.subjectimpulse responseen_AU
dc.subjecturban exploreren_AU
dc.subjectreflective creative practiceen_AU
dc.subjectpractice-based researchen_AU
dc.subjectautoethnographyen_AU
dc.subjectfield recordingen_AU
dc.subjectsonic narrativeen_AU
dc.subjectphenomenology of sounden_AU
dc.subjectpsychogeographyen_AU
dc.subjectflâneuren_AU
dc.subjectspatial narrativeen_AU
dc.subjectsoundscapeen_AU
dc.titleSonic Urban Exploration: Connections between disused urban environments and electroacoustic music compositionen_AU
dc.typeThesis
dc.type.thesisDoctor of Philosophyen_AU
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
usyd.facultySeS faculties schools::Sydney Conservatorium of Musicen_AU
usyd.departmentDepartment of Composition and Music Technologyen_AU
usyd.degreeDoctor of Philosophy Ph.D.en_AU
usyd.awardinginstThe University of Sydneyen_AU
usyd.advisorCarey, Benjamin


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