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dc.contributor.authorParrish-Chynoweth, Tomas Liam
dc.date.accessioned2023-03-17T04:24:38Z
dc.date.available2023-03-17T04:24:38Z
dc.date.issued2023-03-17
dc.identifier.urihttps://hdl.handle.net/2123/30231
dc.description.abstractA coronation. A crown, an oath, oils and regalia: bestowed upon a monarch, enthroned through hallowed hands. But what if the very essence of that monarch is heresy to those hands? "The Fractured Crown" by Tomas Parrish-Chynoweth offers a musical ‘what if’ inspired by Christopher Marlowe’s play "The Troublesome Reign and Lamentable Death of Edward the Second, Kind of England." The play follows Edward II (1284–1327) and his lover Piers Gaveston to their tragic deaths and – whether or not Marlowe’s account is factual – the plight of a gay king amidst hatred and condemnation, which became inspiration for the composition. Further inspiration came in the form of a message from a stranger – someone struggling to reconcile themself to their queerness and the implications of coming out to their family. Parrish-Chynoweth wanted to write a piece that honoured those who came before them, recognising their queer ancestors' beauty, love and heroism, so that young people might know we aren’t broken, we’re just made to feel that way. The Fractured Crown is a love letter to Edward II and to all those made to feel broken.’en_AU
dc.subjectcompositionen_AU
dc.subjectqueeren_AU
dc.subjectSydneyen_AU
dc.subjectEdward IIen_AU
dc.subjectGavestonen_AU
dc.titleThe Fractured Crownen_AU
dc.typeMusical Scoreen_AU
dc.subject.asrcANZSRC FoR code::36 CREATIVE ARTS AND WRITING::3603 Music::360302 Music composition and improvisationen_AU
usyd.facultySeS faculties schools::Sydney Conservatorium of Musicen_AU
workflow.metadata.onlyNoen_AU


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