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dc.contributor.authorWebb, Toyah
dc.date.accessioned2023-02-02T03:04:21Z
dc.date.available2023-02-02T03:04:21Z
dc.date.issued2023en_AU
dc.identifier.urihttps://hdl.handle.net/2123/29952
dc.description.abstractThis thesis examines Jeff VanderMeer's Southern Reach Trilogy within an ecocritical and deconstructive framework. Published in quick succession in 2014, the trilogy – composed of Annihilation, Authority and Acceptance – traces the shadowy outline of ‘Area X’, the name given to a mysterious stretch of coast along the Eastern Seaboard. While the official explanation for Area X is an ecological disaster, the reality is much weirder; inside Area X, things transform. Drawing predominantly on Annihilation, I explore how acts of writing manifest within Area X, as well as how this language ‘infects’ the narrative tissue of the trilogy itself. By situating writing outside the human body, I argue that The Southern Reach Trilogy represents writing – and thus language more broadly – as a distinctly nonhuman alterity.en_AU
dc.language.isoenen_AU
dc.subjectVanderMeeren_AU
dc.subjecteco-criticismen_AU
dc.subjectdeconstructionen_AU
dc.subjectalterityen_AU
dc.subjectinfectionen_AU
dc.subjectwritingen_AU
dc.titlePara-texts: Alterity and Infected Reading in Jeff VanderMeer’s Southern Reach Trilogyen_AU
dc.typeThesis
dc.type.thesisMasters by Researchen_AU
dc.rights.otherThe author retains copyright of this thesis. It may only be used for the purposes of research and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission.en_AU
usyd.facultySeS faculties schools::Faculty of Arts and Social Sciences::School of Art, Communication and Englishen_AU
usyd.departmentDiscipline of Englishen_AU
usyd.degreeMaster of Arts (Research) M.A.(Res.)en_AU
usyd.awardinginstThe University of Sydneyen_AU
usyd.advisorByron, Mark


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