Coastline
Field | Value | Language |
dc.contributor.author | Stephen, Ann | |
dc.date.accessioned | 2022-08-30T01:54:49Z | |
dc.date.available | 2022-08-30T01:54:49Z | |
dc.date.issued | 2021 | en_AU |
dc.identifier.uri | https://hdl.handle.net/2123/29483 | |
dc.description.abstract | Coastline reveals profoundly different perceptions of the liminal space where land meets sea. Over centuries, artists have represented its changing appearance and meaning – sometimes as part of a journey, sometimes as a site of contact or work, sometimes just for contemplation. In Australia, the only nation that is an island continent, the coastline plays a highly symbolic cultural role defining identity, while demarcating the border as an exclusion zone. Today, with global warming causing rising sea levels and eroding shorelines, the coast has become a highly-charged space demarcating potential zones of conflict and loss. This collection-based exhibition offers an art historical overview of the role of maritime representations across more than three centuries. | en_AU |
dc.language.iso | en | en_AU |
dc.publisher | Chau Chak Wing Museum, The University of Sydney | en_AU |
dc.rights | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 | |
dc.subject | Art | en_AU |
dc.subject | Art museums | en_AU |
dc.subject | curatorship | en_AU |
dc.subject | Australian artists | en_AU |
dc.subject | Art and society | en_AU |
dc.title | Coastline | en_AU |
dc.type | Other | en_AU |
dc.subject.asrc | 1901 Art Theory and Criticism | en_AU |
dc.subject.asrc | 2102 Curatorial and Related Studies | en_AU |
dc.identifier.doi | 10.25910/6y1r-7e90 | |
dc.rights.other | Published in conjunction with the exhibition COASTLINE, Chau Chak Wing Museum, November 2020 – December 2022 | en_AU |
usyd.faculty | SeS faculties schools::University Museums | en_AU |
usyd.department | Chau Chak Wing Museum | en_AU |
workflow.metadata.only | No | en_AU |
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Associated collections