M, of Anambaba [John McGarvie] (1829): The exile of Erin on the Plains of Emu [O! Farewell my country - my kindred - my lover] (Tune: The exile of Erin); Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022
Field | Value | Language |
dc.contributor.author | Peres Da Costa, Neal | |
dc.contributor.author | van Stade, Koen | |
dc.contributor.author | Stephens, Matthew | |
dc.contributor.author | Skinner, Graeme | |
dc.coverage.spatial | Sydney, NSW | en_AU |
dc.coverage.spatial | Emu Plains, NSW | en_AU |
dc.coverage.spatial | Ireland | en_AU |
dc.coverage.temporal | Colonial era | en_AU |
dc.coverage.temporal | Early 19th century | en_AU |
dc.date.accessioned | 2022-08-12T01:16:25Z | |
dc.date.available | 2022-08-12T01:16:25Z | |
dc.date.issued | 2022-08-12 | |
dc.identifier.uri | https://hdl.handle.net/2123/29400 | |
dc.description.abstract | This lovely song, published in the ‘Sydney Gazette’ in 1829, is a parody of the Irish nationalist song, ‘Erin go Bragh’ (‘The exile of erin’), to be sung to its tune. It ventriloquises the laments of a colonial exile - a convict or political prisoner - who finds himself ‘enchained’ to the hard land on the Emu Plains, cruelly separated from his motherland, mother, and betrothed. The empathetic author was neither convict nor Irish himself, but the Glasgow-born Presbyterian cleric John McGarvie. Words (first verse only): O! Farewell my country - my kindred - my lover; / Each morning and evening is sacred to you, / While I toil the long day, without shelter or cover, / And fell the tall gums, the black-butted and blue. / Full often I think of and talk of thee, Erin - / Thy heath-covered mountains are fresh in my view, / Thy glens, lakes, and rivers, Loch-Con and Kilkerran, / While chained to the soil on the Plains of Emu. View McGarvie’s full words, as first published, and the music, here: https://www.sydney.edu.au/paradisec/australharmony/checklist1826-1830.php#1829-05-Exile-of-Erin-on-the-Plains-of-Emu | en_AU |
dc.format.extent | 6 minutes | en_AU |
dc.format.medium | Digital audio visual file and PDF file | en_AU |
dc.language.iso | en | en_AU |
dc.relation.ispartof | Concert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022. | en_AU |
dc.relation.ispartof | https://hdl.handle.net/2123/29315 | |
dc.relation.uri | https://hdl.handle.net/2123/29315 | |
dc.rights | Creative Commons Attribution-NonCommercial-ShareAlike 4.0 | en_AU |
dc.subject | Australian colonial music | en_AU |
dc.subject | European classical music in early colonial Australia | en_AU |
dc.subject | Irish traditional music in early colonial Australia | en_AU |
dc.title | M, of Anambaba [John McGarvie] (1829): The exile of Erin on the Plains of Emu [O! Farewell my country - my kindred - my lover] (Tune: The exile of Erin); Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022 | en_AU |
dc.type | Audiovisual | en_AU |
dc.subject.asrc | 1904 Performing Arts and Creative Writing | en_AU |
dc.subject.asrc | 2002 Cultural Studies | en_AU |
dc.subject.asrc | 21 History and Archaeology | en_AU |
dc.relation.arc | DP210101511 | |
usyd.faculty | Sydney Conservatorium of Music | en_AU |
workflow.metadata.only | No | en_AU |
Associated file/s
Associated collections
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Hearing the Music of Early NSW
Recordings of early musical repertoire in the period 1788-1860