Alexander Lee (1802-1851), Thomas Haynes Bayly (words): Come where the aspens quiver]; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022
Field | Value | Language |
dc.contributor.author | Peres Da Costa, Neal | |
dc.contributor.author | van Stade, Koen | |
dc.contributor.author | Stephens, Matthew | |
dc.contributor.author | Skinner, Graeme | |
dc.coverage.spatial | Sydney, NSW | en_AU |
dc.coverage.temporal | Colonial era | en_AU |
dc.coverage.temporal | Early 19th century | en_AU |
dc.date.accessioned | 2022-08-12T01:09:28Z | |
dc.date.available | 2022-08-12T01:09:28Z | |
dc.date.issued | 2022-08-12 | |
dc.identifier.uri | https://hdl.handle.net/2123/29399 | |
dc.description.abstract | This theatre song, with its chivalric evocations of troubadors and guitars, was first popularised by a star theatrical singer in 1820s London, Mrs (Harriet) Waylett. A decade later, in Sydney, the song was still being sung in concerts, as well as on the Sydney stage between the plays (usually two, sometimes three plays a night) by local professional vocalists. Words: Come where the Aspens quiver / Down by the flowing river / Bring your guitar, bring your guitar / Sing me the Songs I Love. / Sing me of Fame and Glory, / Sing of the poor Maid’s story, / When he true love must leave her, / Call’d to the Holy war. // Come to the wild rose bower, / Come at the vesper hour, / Bring your guitar, bring your guitar / Sing me the Songs I Love. / Sing of affection slighted, / Sing me of fond hope blighted, / Sing of the Dewy flower, / Sing of the Evening Star. See here for the original London sheet music edition: https://archive.org/details/hartley00535542/page/n105/mode/2up (DIGITISED) | en_AU |
dc.format.extent | 5 minutes 14 seconds | en_AU |
dc.format.medium | Digital audio visual file and PDF file | en_AU |
dc.language.iso | en | en_AU |
dc.relation.ispartof | Concert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022. | en_AU |
dc.relation.ispartof | https://hdl.handle.net/2123/29315 | |
dc.relation.uri | https://hdl.handle.net/2123/29315 | |
dc.rights | Creative Commons Attribution-NonCommercial-ShareAlike 4.0 | en_AU |
dc.subject | Australian colonial music | en_AU |
dc.subject | European classical music in early colonial Australia | en_AU |
dc.title | Alexander Lee (1802-1851), Thomas Haynes Bayly (words): Come where the aspens quiver]; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022 | en_AU |
dc.type | Audiovisual | en_AU |
dc.subject.asrc | 1904 Performing Arts and Creative Writing | en_AU |
dc.subject.asrc | 2002 Cultural Studies | en_AU |
dc.subject.asrc | 21 History and Archaeology | en_AU |
dc.relation.arc | DP210101511 | |
usyd.faculty | Sydney Conservatorium of Music | en_AU |
workflow.metadata.only | No | en_AU |
Associated file/s
Associated collections
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Hearing the Music of Early NSW
Recordings of early musical repertoire in the period 1788-1860