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dc.contributor.authorPeres Da Costa, Neal
dc.contributor.authorvan Stade, Koen
dc.contributor.authorStephens, Matthew
dc.contributor.authorSkinner, Graeme
dc.coverage.spatialSydney, NSWen_AU
dc.coverage.temporalColonial eraen_AU
dc.coverage.temporalEarly 19th centuryen_AU
dc.date.accessioned2022-08-12T01:09:28Z
dc.date.available2022-08-12T01:09:28Z
dc.date.issued2022-08-12
dc.identifier.urihttps://hdl.handle.net/2123/29399
dc.description.abstractThis theatre song, with its chivalric evocations of troubadors and guitars, was first popularised by a star theatrical singer in 1820s London, Mrs (Harriet) Waylett. A decade later, in Sydney, the song was still being sung in concerts, as well as on the Sydney stage between the plays (usually two, sometimes three plays a night) by local professional vocalists. Words: Come where the Aspens quiver / Down by the flowing river / Bring your guitar, bring your guitar / Sing me the Songs I Love. / Sing me of Fame and Glory, / Sing of the poor Maid’s story, / When he true love must leave her, / Call’d to the Holy war. // Come to the wild rose bower, / Come at the vesper hour, / Bring your guitar, bring your guitar / Sing me the Songs I Love. / Sing of affection slighted, / Sing me of fond hope blighted, / Sing of the Dewy flower, / Sing of the Evening Star. See here for the original London sheet music edition: https://archive.org/details/hartley00535542/page/n105/mode/2up (DIGITISED)en_AU
dc.format.extent5 minutes 14 secondsen_AU
dc.format.mediumDigital audio visual file and PDF fileen_AU
dc.language.isoenen_AU
dc.relation.ispartofConcert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022.en_AU
dc.relation.ispartofhttps://hdl.handle.net/2123/29315
dc.relation.urihttps://hdl.handle.net/2123/29315
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlike 4.0en_AU
dc.subjectAustralian colonial musicen_AU
dc.subjectEuropean classical music in early colonial Australiaen_AU
dc.titleAlexander Lee (1802-1851), Thomas Haynes Bayly (words): Come where the aspens quiver]; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022en_AU
dc.typeAudiovisualen_AU
dc.subject.asrc1904 Performing Arts and Creative Writingen_AU
dc.subject.asrc2002 Cultural Studiesen_AU
dc.subject.asrc21 History and Archaeologyen_AU
dc.relation.arcDP210101511
usyd.facultySydney Conservatorium of Musicen_AU
workflow.metadata.onlyNoen_AU


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