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dc.contributor.authorPeres Da Costa, Neal
dc.contributor.authorvan Stade, Koen
dc.contributor.authorStephens, Matthew
dc.contributor.authorSkinner, Graeme
dc.coverage.spatialSydney, NSWen
dc.coverage.temporalColonial eraen
dc.coverage.temporalEarly 19th centuryen
dc.date.accessioned2022-08-12T01:09:28Z
dc.date.available2022-08-12T01:09:28Z
dc.date.issued2022-08-12
dc.identifier.urihttps://hdl.handle.net/2123/29399
dc.description.abstractThis theatre song, with its chivalric evocations of troubadors and guitars, was first popularised by a star theatrical singer in 1820s London, Mrs (Harriet) Waylett. A decade later, in Sydney, the song was still being sung in concerts, as well as on the Sydney stage between the plays (usually two, sometimes three plays a night) by local professional vocalists. Words: Come where the Aspens quiver / Down by the flowing river / Bring your guitar, bring your guitar / Sing me the Songs I Love. / Sing me of Fame and Glory, / Sing of the poor Maid’s story, / When he true love must leave her, / Call’d to the Holy war. // Come to the wild rose bower, / Come at the vesper hour, / Bring your guitar, bring your guitar / Sing me the Songs I Love. / Sing of affection slighted, / Sing me of fond hope blighted, / Sing of the Dewy flower, / Sing of the Evening Star. See here for the original London sheet music edition: https://archive.org/details/hartley00535542/page/n105/mode/2up (DIGITISED)en
dc.format.extent5 minutes 14 secondsen
dc.format.mediumDigital audio visual file and PDF fileen
dc.language.isoenen
dc.relation.ispartofConcert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022.en
dc.relation.ispartofhttps://hdl.handle.net/2123/29315
dc.relation.urihttps://hdl.handle.net/2123/29315
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlike 4.0en
dc.subjectAustralian colonial musicen
dc.subjectEuropean classical music in early colonial Australiaen
dc.titleAlexander Lee (1802-1851), Thomas Haynes Bayly (words): Come where the aspens quiver]; Koen van Stade (tenor), Neal Peres Da Costa (pianoforte); Elizabeth Bay House, Sydney, 27 February 2022en
dc.typeAudiovisualen
dc.subject.asrc1904 Performing Arts and Creative Writingen
dc.subject.asrc2002 Cultural Studiesen
dc.subject.asrc21 History and Archaeologyen
dc.relation.arcDP210101511
usyd.facultySydney Conservatorium of Music, Hearing the Music of Early NSWen
workflow.metadata.onlyNoen


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