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dc.contributor.authorPeres Da Costa, Neal
dc.contributor.authorYeadon, Daniel
dc.contributor.authorGard, Annie
dc.contributor.authorStephens, Matthew
dc.contributor.authorSkinner, Graeme
dc.coverage.spatialSydney, NSWen
dc.coverage.temporalColonial eraen
dc.coverage.temporalEarly 19th centuryen
dc.date.accessioned2022-08-12T00:49:45Z
dc.date.available2022-08-12T00:49:45Z
dc.date.issued2022-08-12
dc.identifier.urihttps://hdl.handle.net/2123/29396
dc.description.abstractFollowing quickly on its first publication, Walter Scott’s 1815 novel ‘Guy Mannering’ was adapted for the lyric stage as an opera produced in London the following year, with a score ‘composed, selected, and arranged’ by Henry Bishop. Bishop’s overture is a simple but effective medley of traditional and popular Scottish tunes, most of which were later also sung in the opera itself. Like that to ‘Lodoiska’, the overture was frequently performed in early colonial Sydney by bands, and also by pianists and other instrumentalists at home, performing from piano sheet music editions such as that engraved and published in Sydney by Francis Ellard (which the performers are playing from), and which can be viewed here: https://trove.nla.gov.au/work/24534315/version/29614773 (TROVE record); https://collection.sl.nsw.gov.au/record/74VvBxdkyzXM (DIGITISED)en
dc.format.extent11 minutes 51 secondsen
dc.format.mediumDigital audio visual file and PDF fileen
dc.language.isoenen
dc.relation.ispartofConcert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022.en
dc.relation.ispartofhttps://hdl.handle.net/2123/29315
dc.relation.urihttps://hdl.handle.net/2123/29315
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlike 4.0en
dc.subjectAustralian colonial musicen
dc.subjectEuropean classical music in early colonial Australiaen
dc.titleHenry Rowley Bishop (1787-1856): Overture to Guy Mannering (arr. for pianoforte trio); Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello); Elizabeth Bay House, Sydney, 27 February 2022en
dc.typeAudiovisualen
dc.subject.asrc1904 Performing Arts and Creative Writingen
dc.subject.asrc2002 Cultural Studiesen
dc.subject.asrc21 History and Archaeologyen
dc.relation.arcDP210101511
usyd.facultySydney Conservatorium of Music, Hearing the Music of Early NSWen
workflow.metadata.onlyNoen


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