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dc.contributor.authorPeres Da Costa, Neal
dc.contributor.authorYeadon, Daniel
dc.contributor.authorGard, Annie
dc.contributor.authorStephens, Matthew
dc.contributor.authorSkinner, Graeme
dc.coverage.spatialSydney, NSWen_AU
dc.coverage.temporalColonial eraen_AU
dc.coverage.temporalEarly 19th centuryen_AU
dc.date.accessioned2022-08-12T00:49:45Z
dc.date.available2022-08-12T00:49:45Z
dc.date.issued2022-08-12
dc.identifier.urihttps://hdl.handle.net/2123/29396
dc.description.abstractFollowing quickly on its first publication, Walter Scott’s 1815 novel ‘Guy Mannering’ was adapted for the lyric stage as an opera produced in London the following year, with a score ‘composed, selected, and arranged’ by Henry Bishop. Bishop’s overture is a simple but effective medley of traditional and popular Scottish tunes, most of which were later also sung in the opera itself. Like that to ‘Lodoiska’, the overture was frequently performed in early colonial Sydney by bands, and also by pianists and other instrumentalists at home, performing from piano sheet music editions such as that engraved and published in Sydney by Francis Ellard (which the performers are playing from), and which can be viewed here: https://trove.nla.gov.au/work/24534315/version/29614773 (TROVE record); https://collection.sl.nsw.gov.au/record/74VvBxdkyzXM (DIGITISED)en_AU
dc.format.extent11 minutes 51 secondsen_AU
dc.format.mediumDigital audio visual file and PDF fileen_AU
dc.language.isoenen_AU
dc.relation.ispartofConcert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022.en_AU
dc.relation.ispartofhttps://hdl.handle.net/2123/29315
dc.relation.urihttps://hdl.handle.net/2123/29315
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlike 4.0en_AU
dc.subjectAustralian colonial musicen_AU
dc.subjectEuropean classical music in early colonial Australiaen_AU
dc.titleHenry Rowley Bishop (1787-1856): Overture to Guy Mannering (arr. for pianoforte trio); Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello); Elizabeth Bay House, Sydney, 27 February 2022en_AU
dc.typeAudiovisualen_AU
dc.subject.asrc1904 Performing Arts and Creative Writingen_AU
dc.subject.asrc2002 Cultural Studiesen_AU
dc.subject.asrc21 History and Archaeologyen_AU
dc.relation.arcDP210101511
usyd.facultySydney Conservatorium of Musicen_AU
workflow.metadata.onlyNoen_AU


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