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dc.contributor.authorPeres Da Costa, Neal
dc.contributor.authorYeadon, Daniel
dc.contributor.authorGard, Annie
dc.contributor.authorStephens, Matthew
dc.contributor.authorSkinner, Graeme
dc.coverage.spatialSydney, NSWen
dc.coverage.temporalColonial eraen
dc.coverage.temporalEarly 19th centuryen
dc.date.accessioned2022-08-12T00:16:52Z
dc.date.available2022-08-12T00:16:52Z
dc.date.issued2022-08-12
dc.identifier.urihttps://hdl.handle.net/2123/29394
dc.description.abstractMovements: [1] Pantalon (Radoma); [2] L’Été (Betanimena); [3] Poule (Kurry Jong); [4] Pastourelle (Woo-loo-moo-loo) [sic]; [5] Finale (Matitanana); [6] Waltz No. 1; [7] Waltz No. 2. Until he tragically drowned in Sydney Harbour during the annual regatta on 26 January 1839, Cavendish was a popular local teacher of music and dance, and a cellist and pianist in the theatre band. On first arriving in Sydney from London via Mauritius in 1833, he composed this set of music for ballroom dances, including two quadrilles with local Aboriginal titles, Woo-loo-moo-loo [sic] and Kurry Jong. The original 1833 manuscript of the music, along with Cavendish’s covering letter, sent from Sydney to his wife in London (now at the State Library of New South Wales), can be seen here: https://trove.nla.gov.au/work/235977419 (TROVE record); https://collection.sl.nsw.gov.au/record/1kVdqqxn/VadJlPQdNpQg (music - DIGITISED); https://collection.sl.nsw.gov.au/record/1kVdqqxn/8O2RmKAm42VPP (covering letter - DIGITISED). For more on Cavendish, see here: https://www.sydney.edu.au/paradisec/australharmony/cavendish-william-joseph.phpen
dc.format.extent10 minutes 30 secondsen
dc.format.mediumDigital audio visual file and PDF fileen
dc.language.isoenen
dc.relation.ispartofConcert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022.en
dc.relation.ispartofhttps://hdl.handle.net/2123/29315
dc.relation.urihttps://hdl.handle.net/2123/29315
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlike 4.0en
dc.subjectAustralian colonial musicen
dc.subjectEuropean classical music in early colonial Australiaen
dc.titleWilliam Joseph Cavendish (1789-1839); Fairy quadrilles and waltzes (Sydney, 1833); first modern performance; Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello); Elizabeth Bay House, Sydney, 27 February 2022en
dc.typeAudiovisualen
dc.subject.asrc1904 Performing Arts and Creative Writingen
dc.subject.asrc2002 Cultural Studiesen
dc.subject.asrc21 History and Archaeologyen
dc.relation.arcDP210101511
usyd.facultySydney Conservatorium of Music, Hearing the Music of Early NSWen
workflow.metadata.onlyNoen


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