William Joseph Cavendish (1789-1839); Fairy quadrilles and waltzes (Sydney, 1833); first modern performance; Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello); Elizabeth Bay House, Sydney, 27 February 2022
Field | Value | Language |
dc.contributor.author | Peres Da Costa, Neal | |
dc.contributor.author | Yeadon, Daniel | |
dc.contributor.author | Gard, Annie | |
dc.contributor.author | Stephens, Matthew | |
dc.contributor.author | Skinner, Graeme | |
dc.coverage.spatial | Sydney, NSW | en_AU |
dc.coverage.temporal | Colonial era | en_AU |
dc.coverage.temporal | Early 19th century | en_AU |
dc.date.accessioned | 2022-08-12T00:16:52Z | |
dc.date.available | 2022-08-12T00:16:52Z | |
dc.date.issued | 2022-08-12 | |
dc.identifier.uri | https://hdl.handle.net/2123/29394 | |
dc.description.abstract | Movements: [1] Pantalon (Radoma); [2] L’Été (Betanimena); [3] Poule (Kurry Jong); [4] Pastourelle (Woo-loo-moo-loo) [sic]; [5] Finale (Matitanana); [6] Waltz No. 1; [7] Waltz No. 2. Until he tragically drowned in Sydney Harbour during the annual regatta on 26 January 1839, Cavendish was a popular local teacher of music and dance, and a cellist and pianist in the theatre band. On first arriving in Sydney from London via Mauritius in 1833, he composed this set of music for ballroom dances, including two quadrilles with local Aboriginal titles, Woo-loo-moo-loo [sic] and Kurry Jong. The original 1833 manuscript of the music, along with Cavendish’s covering letter, sent from Sydney to his wife in London (now at the State Library of New South Wales), can be seen here: https://trove.nla.gov.au/work/235977419 (TROVE record); https://collection.sl.nsw.gov.au/record/1kVdqqxn/VadJlPQdNpQg (music - DIGITISED); https://collection.sl.nsw.gov.au/record/1kVdqqxn/8O2RmKAm42VPP (covering letter - DIGITISED). For more on Cavendish, see here: https://www.sydney.edu.au/paradisec/australharmony/cavendish-william-joseph.php | en_AU |
dc.format.extent | 10 minutes 30 seconds | en_AU |
dc.format.medium | Digital audio visual file and PDF file | en_AU |
dc.language.iso | en | en_AU |
dc.relation.ispartof | Concert, ‘On the Plains of Emu’ - Settler Art Music in Early NSW, Elizabeth Bay House, Sydney, 27 February 2022. | en_AU |
dc.relation.ispartof | https://hdl.handle.net/2123/29315 | |
dc.relation.uri | https://hdl.handle.net/2123/29315 | |
dc.rights | Creative Commons Attribution-NonCommercial-ShareAlike 4.0 | en_AU |
dc.subject | Australian colonial music | en_AU |
dc.subject | European classical music in early colonial Australia | en_AU |
dc.title | William Joseph Cavendish (1789-1839); Fairy quadrilles and waltzes (Sydney, 1833); first modern performance; Neal Peres Da Costa (pianoforte), Annie Gard (violin), Daniel Yeadon (violoncello); Elizabeth Bay House, Sydney, 27 February 2022 | en_AU |
dc.type | Audiovisual | en_AU |
dc.subject.asrc | 1904 Performing Arts and Creative Writing | en_AU |
dc.subject.asrc | 2002 Cultural Studies | en_AU |
dc.subject.asrc | 21 History and Archaeology | en_AU |
dc.relation.arc | DP210101511 | |
usyd.faculty | Sydney Conservatorium of Music | en_AU |
workflow.metadata.only | No | en_AU |
Associated file/s
Associated collections
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Hearing the Music of Early NSW
Recordings of early musical repertoire in the period 1788-1860